ByronNorthcote House, 2000 - 86 sider After Shakespeare the most famous British author in Europe, in Britain Byron was for years either neglected, or a victim of the myth of his own personality. Now he is read and studied both for his complex politics and as a forerunner of many of the ideas and techniques more usually associated with post-modernism. Bone tackles the critical problems both of the populism of much of Byron's early work, and conversely of the sophisticated comedy of Beppo, Don Juan and The Vision of Judgement. He argues that for all its contradictoriness Byron's poetic mind develops organically, and that the scintillating technique of the late works grow out of the profoundly modern world-view, relativistic and secular, which had developed through his early years. Byron's writing are seen as a vital area for post-ideological and new found criticism. |
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Side 37
... example but there was an intensity about his cultural experience in Switzerland , magnified by his isolation from other society and by the presence of Shelley , which was new . Alongside this , he was continually reminded of the ...
... example but there was an intensity about his cultural experience in Switzerland , magnified by his isolation from other society and by the presence of Shelley , which was new . Alongside this , he was continually reminded of the ...
Side 56
... example , eleven of the sixteen stanzas have an enjambement leading the reader over the end of the first line of the stanza into the second line , and thus blurring the rhyme word which gives the clue to the stanza's ' a ' rhyme ) . In ...
... example , eleven of the sixteen stanzas have an enjambement leading the reader over the end of the first line of the stanza into the second line , and thus blurring the rhyme word which gives the clue to the stanza's ' a ' rhyme ) . In ...
Side 77
... example in the Prefaces to Marino Faliero and Sardanapalus ) that these dramas were modelled on Aristotle's principles , observing the unities of time , action and place , and eschewing the Shakespearean tradition of the English stage ...
... example in the Prefaces to Marino Faliero and Sardanapalus ) that these dramas were modelled on Aristotle's principles , observing the unities of time , action and place , and eschewing the Shakespearean tradition of the English stage ...
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action affairs Augusta authority beauty become beginning Beppo Byron Cain called Cambridge canto certainly Childe Harold Chillon civilization clear close couplet course creates critical Darkness daughter death desire Don Juan early England English example existence experience fact fame father feel finally follow freedom give given Greece hand hero Hobhouse human individual interest involved isolation Italy kind later least less light literary live London Lord Manfred meaning MICHIGAN mind moral moved narrator nature never night opening opposition perhaps period physical play poem poet political position possible present problem reader relationship remain rhyme Romantic seems sense sexual Shelley significant simply stanza story structure summer thee things thou thought Turkish turn University Venice verse waves writing written
Referanser til denne boken
Romanticism and Religion from William Cowper to Wallace Stevens Gavin Hopps,Jane Stabler Begrenset visning - 2006 |