ByronNorthcote House, 2000 - 86 sider After Shakespeare the most famous British author in Europe, in Britain Byron was for years either neglected, or a victim of the myth of his own personality. Now he is read and studied both for his complex politics and as a forerunner of many of the ideas and techniques more usually associated with post-modernism. Bone tackles the critical problems both of the populism of much of Byron's early work, and conversely of the sophisticated comedy of Beppo, Don Juan and The Vision of Judgement. He argues that for all its contradictoriness Byron's poetic mind develops organically, and that the scintillating technique of the late works grow out of the profoundly modern world-view, relativistic and secular, which had developed through his early years. Byron's writing are seen as a vital area for post-ideological and new found criticism. |
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... opening of Parisina ( 1816 ) , which has some verbal similarities with a very different evening in Don Juan : It is the hour when from the boughs The nightingale's high note is heard ; It is the hour when lovers ' vows Seem sweet in ...
... opening to Parisina he has written other poems which present the literary trope he has been so fond of as an existential problem life cannot be manoeuvred by literary sleight of hand . - Other than this exploration of ennui , what else ...
... opening ' Eternal ' is echoed by the closing ' God ' , but the sestet also introduces the historical case of Bonnivard , and so grounds in reality the ' Fable ' of The Prisoner of Chillon which follows it . As we shall see later , this ...
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