ByronNorthcote House, 2000 - 86 sider After Shakespeare the most famous British author in Europe, in Britain Byron was for years either neglected, or a victim of the myth of his own personality. Now he is read and studied both for his complex politics and as a forerunner of many of the ideas and techniques more usually associated with post-modernism. Bone tackles the critical problems both of the populism of much of Byron's early work, and conversely of the sophisticated comedy of Beppo, Don Juan and The Vision of Judgement. He argues that for all its contradictoriness Byron's poetic mind develops organically, and that the scintillating technique of the late works grow out of the profoundly modern world-view, relativistic and secular, which had developed through his early years. Byron's writing are seen as a vital area for post-ideological and new found criticism. |
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Side 15
... reader seem the purely personal themes of dislocation and thwarted love are part of a world of violence and quasi ... reader in the Balkans would be much more inclined to take the ' politics ' of the Turkish Tales seriously than a reader ...
... reader seem the purely personal themes of dislocation and thwarted love are part of a world of violence and quasi ... reader in the Balkans would be much more inclined to take the ' politics ' of the Turkish Tales seriously than a reader ...
Side 56
... reader over the end of the first line of the stanza into the second line , and thus blurring the rhyme word which gives the clue to the stanza's ' a ' rhyme ) . In Beppo the tactic is the opposite - the rhymes are usually highlighted ...
... reader over the end of the first line of the stanza into the second line , and thus blurring the rhyme word which gives the clue to the stanza's ' a ' rhyme ) . In Beppo the tactic is the opposite - the rhymes are usually highlighted ...
Side 62
... reader make of this parallel ? Is it simply a shape , another form by which the random repetitions of life can be made to seem meaningful ? Or are we supposed to see some kind of teleology , progression , from Haidée in Cantos II , III ...
... reader make of this parallel ? Is it simply a shape , another form by which the random repetitions of life can be made to seem meaningful ? Or are we supposed to see some kind of teleology , progression , from Haidée in Cantos II , III ...
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Vanlige uttrykk og setninger
action affairs Augusta authority beauty become beginning Beppo Byron Cain called Cambridge canto certainly Childe Harold Chillon civilization clear close couplet course creates critical Darkness daughter death desire Don Juan early England English example existence experience fact fame father feel finally follow freedom give given Greece hand hero Hobhouse human individual interest involved isolation Italy kind later least less light literary live London Lord Manfred meaning MICHIGAN mind moral moved narrator nature never night opening opposition perhaps period physical play poem poet political position possible present problem reader relationship remain rhyme Romantic seems sense sexual Shelley significant simply stanza story structure summer thee things thou thought Turkish turn University Venice verse waves writing written
Referanser til denne boken
Romanticism and Religion from William Cowper to Wallace Stevens Gavin Hopps,Jane Stabler Begrenset visning - 2006 |