ByronNorthcote House, 2000 - 86 sider After Shakespeare the most famous British author in Europe, in Britain Byron was for years either neglected, or a victim of the myth of his own personality. Now he is read and studied both for his complex politics and as a forerunner of many of the ideas and techniques more usually associated with post-modernism. Bone tackles the critical problems both of the populism of much of Byron's early work, and conversely of the sophisticated comedy of Beppo, Don Juan and The Vision of Judgement. He argues that for all its contradictoriness Byron's poetic mind develops organically, and that the scintillating technique of the late works grow out of the profoundly modern world-view, relativistic and secular, which had developed through his early years. Byron's writing are seen as a vital area for post-ideological and new found criticism. |
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... stanza , with a couplet at lines 4 and 5 , which can either link the two ' halves ' of the stanza , or set a barrier between them ( with the break hingeing on the couplet rhymes ) . Lines 8 and 9 also form a couplet , so that the rhyme ...
... stanza 1 at first emphazises movement and night , modulates to a balance of light and dark , and in the last line re - turns to value night as superior to day . Stanza 2 first emphasizes a rigorous balance ( with a repetition of that ...
Drummond Bone. stanza if read positively however makes the transition to the sad but loving envoi a smoother one , so the envoi makes it more difficult to read this stanza wholly cynically . In stanza 112 too there is a hint that Byron ...
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