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Albrechtsberger already Amenda appears Artaria artist B-ﬂat Bach ballet Beet Bernhard Romberg Bonn Bonn period Breitkopf and Hartel brother chapel Chapelmaster Cologne composer composition concert conﬁrmed Count Countess Czerny death dedicated Deiters fact father ﬁeld ﬁnd ﬁne ﬁnished ﬁrst ﬁve ﬂorins Franz Franz Ries gave genius Guicciardi Haydn Hoffmeister hoven inﬂuence instrument Johann van Beethoven Joseph Joseph Haydn known last movement later letter Lichnowsky lived Ludwig van Beethoven Madame manuscript March master Mollo Mozart Neefe Notizen Nottebohm opera orchestra organist original performed pianist pianoforte played Prague Prince Prince Lichnowsky published pupil Quartet Quintet received Reicha remark Ries Rondo salary Salieri says Schindler Schuppanzigh Septet singer sketches Sonata songs Stephan von Breuning Symphony Thayer theatre theme Therese tion Trio Variations Vienna violin violoncello virtuoso Waldstein Wegeler Wiener Zeitung wind-instruments write written wrote young youth Zmeskall
Side 353 - I sometimes ran counter to it yielding to my inclination for society, but what a humiliation when one stood beside me and heard a flute in the distance and I heard nothing or someone heard the shepherd singing and again I heard nothing, such incidents brought me to the verge of despair, but little more and I would have put an end to my life...
Side 352 - I was even ever eager to accomplish great deeds, but reflect now that for 6 years I have been in a hopeless case, aggravated by senseless physicians, cheated year after year in the hope of improvement, finally compelled to face the prospect of a lasting malady (whose cure will take years, or, perhaps, be impossible...
Side 353 - O it is not easy, less easy for the artist than for anyone else — Divine One thou lookest into my inmost soul, thou knowest it, thou knowest that love of man and desire to do good live therein. O men, when some day you read these words, reflect that ye did me wrong and let the unfortunate one comfort himself and find one of his kind who despite all obstacles of nature yet did all that •was in his power to be accepted among worthy artists and men.
Side 115 - But, what was infinitely preferable to me, I heard him extemporize in private; yes, I was even invited to propose a theme for him to vary. The greatness of this amiable, light-hearted man, as a virtuoso, may in my opinion be safely estimated from his almost inexhaustible wealth of ideas, the altogether characteristic style of expression in his playing, and the great execution which he displays.
Side 353 - ... speak louder, shout, for I am deaf. " Ah how could I possibly admit an infirmity in the one sense which should have been more perfect in me than in others, a sense which I once possessed in highest perfection, a perfection such as few surely in my profession enjoy or ever have enjoyed...
Side 219 - Beethoven suddenly stood still and, directing his companion's attention to the exceedingly simple, but equally beautiful motive which is first introduced towards the end of the piece, exclaimed: "Cramer, Cramer! we shall never be able to do anything like that!
Side 353 - ... me after my death. — At the same time I declare you two to be the heirs to my small fortune (if so it can be called); divide it fairly; bear with and help each other.
Side 354 - I shall be happy, for will it not deliver me from a state of endless suffering ? Come when thou wilt, I shall face thee courageously — farewell, and when I am dead do not entirely forget me.
Side 352 - Let us first take a short walk.' We went, and frequently did not return till 3 or 4 o'clock, after having made a meal in some village. On one of these wanderings Beethoven gave me the first striking proof of his loss of hearing, concerning which Stephan von Breuning had already spoken to me. I called his attention to a shepherd who was piping very agreeably in the woods on a flute made of a twig of elder. For half an hour Beethoven could hear nothing, and though I assured him that it was the same...
Side 353 - I heard nothing, such incidents brought me to the verge of despair, but little more and I would have put an end to my life — only art it was that withheld me, ah it seemed impossible to leave the world until I had produced all that I felt called upon to produce, and so I endured this wretched existence — truly wretched, an excitable.