The Life of Ludwig Van Beethoven, Volum 1Beethoven Association, 1921 |
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Side 70
... Nottebohm in his catalogue ( p . 154 ) the title of the original publica- tion of the Variations by Goetz of Mannheim ran as follows : Variations pour le Clavecin sur une Marche de Mr. Dressler , composées et Dediées à son Excellence ...
... Nottebohm in his catalogue ( p . 154 ) the title of the original publica- tion of the Variations by Goetz of Mannheim ran as follows : Variations pour le Clavecin sur une Marche de Mr. Dressler , composées et Dediées à son Excellence ...
Side 71
... Nottebohm ( " Zweite Beethoveniana , " p . 250 ) . Nottebohm conjectures that the organ fugue was composed at his trial for the post of second court organist . In view of the fact that his age was falsified by his father at this time ...
... Nottebohm ( " Zweite Beethoveniana , " p . 250 ) . Nottebohm conjectures that the organ fugue was composed at his trial for the post of second court organist . In view of the fact that his age was falsified by his father at this time ...
Side 76
... Nottebohm conjectured that the movement referred to by Thayer was that for a musical clock , No. 29 , in Thayer's chronological catalogue , there described as a duo . Dr. Deiters thinks that it was a fragment of a composition for ...
... Nottebohm conjectured that the movement referred to by Thayer was that for a musical clock , No. 29 , in Thayer's chronological catalogue , there described as a duo . Dr. Deiters thinks that it was a fragment of a composition for ...
Side 130
... Nottebohm called attention to the fact that manuscript copies of their scores were announced in the auction catalogue of the library of Baron de Beine in April , 1813. It seems probable that Hummel purchased them at that time ; at any ...
... Nottebohm called attention to the fact that manuscript copies of their scores were announced in the auction catalogue of the library of Baron de Beine in April , 1813. It seems probable that Hummel purchased them at that time ; at any ...
Side 132
... Nottebohm to set down 1792 as the year of its origin . Of the songs grouped and published as Op . 52 the second , " Feuerfarbe , " belongs to the period of tran- sition from Bonn to Vienna . On January 26 , 1793 , Fischenich wrote to ...
... Nottebohm to set down 1792 as the year of its origin . Of the songs grouped and published as Op . 52 the second , " Feuerfarbe , " belongs to the period of tran- sition from Bonn to Vienna . On January 26 , 1793 , Fischenich wrote to ...
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The Life of Ludwig Van Beethoven, Volum 1 Alexander Wheelock Thayer,Beethoven Association Uten tilgangsbegrensning - 1921 |
Vanlige uttrykk og setninger
Albrechtsberger already Amenda appears Artaria artist B-flat Bach ballet Beet Bernhard Romberg Bonn Bonn period Breitkopf and Härtel brother Carl chapel chapelmaster Cologne composer composition concert Count Countess Court Musician Czerny death dedicated Deiters fact father florins Franz Franz Ries gave genius Guicciardi Haydn Hoffmeister hoven instrument Johann van Beethoven Joseph Joseph Haydn known later letter Lichnowsky lived Ludwig van Beethoven Madame manuscript March master Maximilian Mollo movement Mozart Neefe Notizen Nottebohm opera orchestra organist original performed pianist pianoforte played players Prague Prince Prince Lichnowsky published pupil Quartet Quintet received Reicha remark Ries Rondo salary Salieri says Schindler Schuppanzigh Septet Simrock singer sketches Sonata songs Stephan von Breuning Symphony Thayer theatre theme Therese tion Trio Variations Vienna violin violoncello virtuoso Waldstein Wegeler Wegeler's Wiener Zeitung wind-instruments write written wrote young youth Zmeskall
Populære avsnitt
Side 351 - I sometimes ran counter to it yielding to my inclination for society, but what a humiliation when one stood beside me and heard a flute in the distance and I heard nothing or someone heard the shepherd singing and again I heard nothing, such incidents brought me to the verge of despair, but little more and I would have put an end to my life...
Side 350 - I was even ever eager to accomplish great deeds, but reflect now that for 6 years I have been in a hopeless case, aggravated by senseless physicians, cheated year after year in the hope of improvement, finally compelled to face the prospect of a lasting malady (whose cure will take years, or, perhaps, be impossible...
Side 351 - O it is not easy, less easy for the artist than for anyone else — Divine One thou lookest into my inmost soul, thou knowest it, thou knowest that love of man and desire to do good live therein. O men, when some day you read these words, reflect that ye did me wrong and let the unfortunate one comfort himself and find one of his kind who despite all obstacles of nature yet did all that •was in his power to be accepted among worthy artists and men.
Side 115 - But, what was infinitely preferable to me, I heard him extemporize in private; yes, I was even invited to propose a theme for him to vary. The greatness of this amiable, light-hearted man, as a virtuoso, may in my opinion be safely estimated from his almost inexhaustible wealth of ideas, the altogether characteristic style of expression in his playing, and the great execution which he displays.
Side 351 - ... speak louder, shout, for I am deaf. " Ah how could I possibly admit an infirmity in the one sense which should have been more perfect in me than in others, a sense which I once possessed in highest perfection, a perfection such as few surely in my profession enjoy or ever have enjoyed...
Side 219 - Beethoven suddenly stood still and, directing his companion's attention to the exceedingly simple, but equally beautiful motive which is first introduced towards the end of the piece, exclaimed: "Cramer, Cramer! we shall never be able to do anything like that!
Side 351 - ... me after my death. — At the same time I declare you two to be the heirs to my small fortune (if so it can be called); divide it fairly; bear with and help each other.
Side 352 - I shall be happy, for will it not deliver me from a state of endless suffering ? Come when thou wilt, I shall face thee courageously — farewell, and when I am dead do not entirely forget me.
Side 350 - Let us first take a short walk.' We went, and frequently did not return till 3 or 4 o'clock, after having made a meal in some village. On one of these wanderings Beethoven gave me the first striking proof of his loss of hearing, concerning which Stephan von Breuning had already spoken to me. I called his attention to a shepherd who was piping very agreeably in the woods on a flute made of a twig of elder. For half an hour Beethoven could hear nothing, and though I assured him that it was the same...
Side 351 - I heard nothing, such incidents brought me to the verge of despair, but little more and I would have put an end to my life — only art it was that withheld me, ah it seemed impossible to leave the world until I had produced all that I felt called upon to produce, and so I endured this wretched existence — truly wretched, an excitable.