Twentieth-century Theatre and Drama in English: Festschrift for Heinz Kosok on the Occasion of His 65th BirthdayWVT, Wiss. Verlag Trier, 1999 - 944 sider |
Inni boken
Resultat 1-3 av 83
Side 186
... death ' . Emil Roy's " transcendence of a point of ritual death " means a going beyond death , a leaving death behind , rather than assimilating it , and Nelvin Vos's acknowledgement of a " sense of mortification and guilt " as a ...
... death ' . Emil Roy's " transcendence of a point of ritual death " means a going beyond death , a leaving death behind , rather than assimilating it , and Nelvin Vos's acknowledgement of a " sense of mortification and guilt " as a ...
Side 192
... death . At the beginning of this scene Dynamene had tried to ward off Chromis with the remark : " It's death / I desire , not you " ( 36 ) and his answer was : [ ... ] Where is the difference ? Call me Death instead of Chromis . I'll ...
... death . At the beginning of this scene Dynamene had tried to ward off Chromis with the remark : " It's death / I desire , not you " ( 36 ) and his answer was : [ ... ] Where is the difference ? Call me Death instead of Chromis . I'll ...
Side 347
... death ' is of par- ticularly central importance and appears in almost every conversation . Although Hamlet writes their death sentence late in the play , ROS and GUIL's thoughts re- volve around death ( including their own deaths ) with ...
... death ' is of par- ticularly central importance and appears in almost every conversation . Although Hamlet writes their death sentence late in the play , ROS and GUIL's thoughts re- volve around death ( including their own deaths ) with ...
Innhold
PREFACE | 11 |
PATRICK BRIDGWATER Durham | 55 |
STANLEY WEINTRAUB University Park Pennsylvania | 77 |
Opphavsrett | |
9 andre deler vises ikke
Vanlige uttrykk og setninger
Aboriginal actors Alan Ayckbourn American Dream Andy Arnold Wesker Arthur Miller artistic audience Australian Ayckbourn Barker Barry Beckett become British Caesar Canadian century characters Cleopatra comedy comic contemporary critics cultural dance death dialogue dramatists Dublin emotional English essay experience Faber father Friel Housman identity Ireland Irish drama Jack Davis John Kosok Kullark language literary Literature lives London McDonagh means Miller modern mother myth Noël Coward O'Casey O'Neill O'Neill's one-act play Oscar Wilde past performance play's playwrights political present quoted realism reality role Sam Shepard scene Sean O'Casey sense sexual Shakespeare Shaw Shaw's Shuriken situation social society song stage Star Turns Red Stoppard story theatre theatrical tion traditional turn University Press vision Voaden voice W. B. Yeats Wesker Wilde Wilde's William woman women Wonderful Tennessee writing Wuppertal Yeats Yeats's York