Twentieth-century Theatre and Drama in English: Festschrift for Heinz Kosok on the Occasion of His 65th BirthdayWVT, Wiss. Verlag Trier, 1999 - 944 sider |
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Side 47
... example : she too worked on a shoe - string budget but had high artistic principles and saw good theatre in such circum- stances as a challenge to actors when placed in the closest proximity to their audiences , as is the case in all ...
... example : she too worked on a shoe - string budget but had high artistic principles and saw good theatre in such circum- stances as a challenge to actors when placed in the closest proximity to their audiences , as is the case in all ...
Side 263
... example : FAY : Have you known him long ? HAL : We shared the same cradle . FAY : Was that economy or malpractice ? HAL : We were too young then to practise , and economics still defeat us . ( I , 200 ) 56 A more ambitious and complex ...
... example : FAY : Have you known him long ? HAL : We shared the same cradle . FAY : Was that economy or malpractice ? HAL : We were too young then to practise , and economics still defeat us . ( I , 200 ) 56 A more ambitious and complex ...
Side 590
... example by Yeats's The Death of Cuchulain ( 1939 ) . The conclusion that Murray draws , after surveying a large number of examples of the three categories , is that we " have reached the position [ ... ] where the Irish playwrights of ...
... example by Yeats's The Death of Cuchulain ( 1939 ) . The conclusion that Murray draws , after surveying a large number of examples of the three categories , is that we " have reached the position [ ... ] where the Irish playwrights of ...
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PREFACE | 11 |
PATRICK BRIDGWATER Durham | 55 |
STANLEY WEINTRAUB University Park Pennsylvania | 77 |
Opphavsrett | |
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Aboriginal actors Alan Ayckbourn American Dream Andy Arnold Wesker Arthur Miller artistic audience Australian Ayckbourn Barker Barry Beckett become British Caesar Canadian century characters Cleopatra comedy comic contemporary critics cultural dance death dialogue dramatists Dublin emotional English essay experience Faber father Friel Housman identity Ireland Irish drama Jack Davis John Kosok Kullark language literary Literature lives London McDonagh means Miller modern mother myth Noël Coward O'Casey O'Neill O'Neill's one-act play Oscar Wilde past performance play's playwrights political present quoted realism reality role Sam Shepard scene Sean O'Casey sense sexual Shakespeare Shaw Shaw's Shuriken situation social society song stage Star Turns Red Stoppard story theatre theatrical tion traditional turn University Press vision Voaden voice W. B. Yeats Wesker Wilde Wilde's William woman women Wonderful Tennessee writing Wuppertal Yeats Yeats's York