Twentieth-century Theatre and Drama in English: Festschrift for Heinz Kosok on the Occasion of His 65th BirthdayWVT, Wiss. Verlag Trier, 1999 - 944 sider |
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Side 589
... present case the two terms are employed synonymously . It is the contention of the present article that Irish writing is steeped in history , or the past , rather than in politics , despite the fact that much critical writing on Irish ...
... present case the two terms are employed synonymously . It is the contention of the present article that Irish writing is steeped in history , or the past , rather than in politics , despite the fact that much critical writing on Irish ...
Side 604
... present is conditioned by the past . Its very title suggests a strong anal- ogy between the Irish and the Carthaginians as doomed nations in history . The play is permeated with overt and covert references to Bloody Sunday . The scene ...
... present is conditioned by the past . Its very title suggests a strong anal- ogy between the Irish and the Carthaginians as doomed nations in history . The play is permeated with overt and covert references to Bloody Sunday . The scene ...
Side 867
... present and the present to the future " ( Shoemaker 1994 , 33 ) , even to such an extent that past , present and future are closely intertwined and constantly oscillate , also in his plays , as in the instance of The Dreamers and ...
... present and the present to the future " ( Shoemaker 1994 , 33 ) , even to such an extent that past , present and future are closely intertwined and constantly oscillate , also in his plays , as in the instance of The Dreamers and ...
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PREFACE | 11 |
PATRICK BRIDGWATER Durham | 55 |
STANLEY WEINTRAUB University Park Pennsylvania | 77 |
Opphavsrett | |
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Aboriginal actors Alan Ayckbourn American Dream Andy Arnold Wesker Arthur Miller artistic audience Australian Ayckbourn Barker Barry Beckett become British Caesar Canadian century characters Cleopatra comedy comic contemporary critics cultural dance death dialogue dramatists Dublin emotional English essay experience Faber father Friel Housman identity Ireland Irish drama Jack Davis John Kosok Kullark language literary Literature lives London McDonagh means Miller modern mother myth Noël Coward O'Casey O'Neill O'Neill's one-act play Oscar Wilde past performance play's playwrights political present quoted realism reality role Sam Shepard scene Sean O'Casey sense sexual Shakespeare Shaw Shaw's Shuriken situation social society song stage Star Turns Red Stoppard story theatre theatrical tion traditional turn University Press vision Voaden voice W. B. Yeats Wesker Wilde Wilde's William woman women Wonderful Tennessee writing Wuppertal Yeats Yeats's York