Twentieth-century Theatre and Drama in English: Festschrift for Heinz Kosok on the Occasion of His 65th BirthdayWVT, Wiss. Verlag Trier, 1999 - 944 sider |
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Side 116
... production practices of the time ( cf. Purdom 1955 , 7 ) . In the Elizabethan Stage Society's production methods he found an open stage uncluttered by bombastic scenery , the text restored to its original glory and actors who were urged ...
... production practices of the time ( cf. Purdom 1955 , 7 ) . In the Elizabethan Stage Society's production methods he found an open stage uncluttered by bombastic scenery , the text restored to its original glory and actors who were urged ...
Side 117
... production ( cf. Purdom 1955 , 17 ) . But by that time another alliance had been formed which was to become crucial for both the parties involved . Barker came to the attention of George Bernard Shaw after he had become involved with ...
... production ( cf. Purdom 1955 , 17 ) . But by that time another alliance had been formed which was to become crucial for both the parties involved . Barker came to the attention of George Bernard Shaw after he had become involved with ...
Side 444
... production . Having staged many of O'Casey's less well - known plays during his tenure as Artistic Director of the Abbey Theatre , Thomas MacAnna , in his final project , produced The Star Turns Red . As had been the case in 1940 ...
... production . Having staged many of O'Casey's less well - known plays during his tenure as Artistic Director of the Abbey Theatre , Thomas MacAnna , in his final project , produced The Star Turns Red . As had been the case in 1940 ...
Innhold
PREFACE | 11 |
PATRICK BRIDGWATER Durham | 55 |
STANLEY WEINTRAUB University Park Pennsylvania | 77 |
Opphavsrett | |
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Aboriginal actors Alan Ayckbourn American Dream Andy Arnold Wesker Arthur Miller artistic audience Australian Ayckbourn Barker Barry Beckett become British Caesar Canadian century characters Cleopatra comedy comic contemporary critics cultural dance death dialogue dramatists Dublin emotional English essay experience Faber father Friel Housman identity Ireland Irish drama Jack Davis John Kosok Kullark language literary Literature lives London McDonagh means Miller modern mother myth Noël Coward O'Casey O'Neill O'Neill's one-act play Oscar Wilde past performance play's playwrights political present quoted realism reality role Sam Shepard scene Sean O'Casey sense sexual Shakespeare Shaw Shaw's Shuriken situation social society song stage Star Turns Red Stoppard story theatre theatrical tion traditional turn University Press vision Voaden voice W. B. Yeats Wesker Wilde Wilde's William woman women Wonderful Tennessee writing Wuppertal Yeats Yeats's York