From a Sabine Jar: Reading Horace, Odes 1.9University of North Carolina Press, 1992 - 159 sider This book is a detailed study of a single poem -- Horace, Odes 1.9 -- often called 'The Soracte Ode' after the mountain named in its second line. Although more than seventy articles and parts of books have been devoted to this twenty-four line poem since the beginning of the last century, Lowell Edmunds is the first scholar to apply developments in literary theory from outside the field of classics to a discussion of the ode. Specifically, he uses Hans Robert Jauss's essay on Baudelaire's "Spleen (II)" as a model for his study. According to Edmunds, attempts to answer aesthetic questions about ancient lyric poems typically begin with philological or historical facts -- which scholars present as new evidence, heretofore undiscovered or misunderstood -- and proceed to an analysis built on those facts. Edmunds argues that contemporary literary theory provides a different way of reconciling the aestheic and historical claims of a lyric poem, ancient or modern. He then takes a fresh look at Horace's poem, employing Jauss's method of performing three successive readings of the text: the first aesthetic or perceptual, the second interpretive, and the third historicist. In this hermeneutic Jaussian approach, Edmunds shows, the unity of the poem appears in the process of reading rather than, as in a philological approach, in the analysis of it. Moreover, he labels an emphasis on the act of reading itself, distinct from analysis, as the main difference between philological and hermeneutical ways of understanding a poem. Focusing on this contrast, he surveys the history of the ode's reception and scholarly interpretation. In the final chapter, he briefly considers deconstruction as an alternative critical method. Assessing the rival claims of hermeneutics, deconstruction, and philology as interpretive tools, Edmunds concludes by favoring hermeneutics. Originally published in 1992. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value. |
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Side 37
... winter landscape ) is relative to what was ( and what will be ) . And the turn in the poem that begins at line 13 becomes more comprehensible : the speaker's age was already an element in Thaliarchus ' youth . Though friendship and the ...
... winter landscape ) is relative to what was ( and what will be ) . And the turn in the poem that begins at line 13 becomes more comprehensible : the speaker's age was already an element in Thaliarchus ' youth . Though friendship and the ...
Side 96
... winter landscape is thus more unified than Alcaeus ' . An objective unity has been found . Giorgio Pasquali , repeating Nohl's conclusion concerning stanza 1 , argues the same case more fully . Again , the scene comes from lived ...
... winter landscape is thus more unified than Alcaeus ' . An objective unity has been found . Giorgio Pasquali , repeating Nohl's conclusion concerning stanza 1 , argues the same case more fully . Again , the scene comes from lived ...
Side 103
... winter , that is , in the time in which the poem is set . So nunc ( 18 , 21 ) refers to the time in which the speaker is speaking . ( Thaliarchus could get up and leave the room and follow the speaker's bidding . ) The whisperings and ...
... winter , that is , in the time in which the poem is set . So nunc ( 18 , 21 ) refers to the time in which the speaker is speaking . ( Thaliarchus could get up and leave the room and follow the speaker's bidding . ) The whisperings and ...
Innhold
Part One The Jaussian Readings | 3 |
Part Two Other Approaches | 93 |
Conclusion | 125 |
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addressee aemulatio aesthetic Alcaeus Alcaic model Alcaic stanza already amores ancient ash trees beginning Boeckh Byron caesura campus et areae Campus Martius Carm cetera chapter chiasmus classical commonplaces concerning convivium Cowper criticism deconstruction diota discussion Dryden Düntzer Epicurean Epod example fourth girl Greek Helvellyn hermeneutics historical Horatian Horaz horizon of expectation iarchus images imitation of Alcaeus interpretation intertextuality Jauss Jaussian reading John Dryden Latin Lobel-Page Lucretius lucro Lycidas lyric poetry metaphor metrical Mount Soracte name Thaliarchus nunc parade odes paratext particular Pasquali pederasty permitte philology poem poem's poet poet's poetic Pöschl present question reader refers relation relationship Rider Roman Rudd Sabine scene scholars scholarship second reading second stanza sense pause sequence Sestius signifiers snow speaker and Thaliarchus storm subjective unity sympotic Thal Thaliarchus theme third reading third stanza tion translation trees University Press virenti visual West wine winter word youth