Characters of Shakespear's PlaysC.H. Reynell, 1817 - 352 sider |
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Side viii
... play . A gentleman of the name of Mason , the au- thor of a Treatise on Ornamental Gardening , ( not Mason the poet ) began a work of a similar kind about forty years ago , but he only lived to finish a parallel between the characters ...
... play . A gentleman of the name of Mason , the au- thor of a Treatise on Ornamental Gardening , ( not Mason the poet ) began a work of a similar kind about forty years ago , but he only lived to finish a parallel between the characters ...
Side 1
... play is like going a journey with some uncertain object at the end of it , and in which the suspense is kept up and heightened by the long intervals between each action . Though the events are scattered over such an extent of B surface ...
... play is like going a journey with some uncertain object at the end of it , and in which the suspense is kept up and heightened by the long intervals between each action . Though the events are scattered over such an extent of B surface ...
Side 2
... play , but the conclusion of Lear , of Romeo and Juliet , of Macbeth , of Othello , even of Hamlet , and of other plays of less moment , in which the last act is crowded with decisive events brought about by natural and striking means ...
... play , but the conclusion of Lear , of Romeo and Juliet , of Macbeth , of Othello , even of Hamlet , and of other plays of less moment , in which the last act is crowded with decisive events brought about by natural and striking means ...
Side 4
... play the parts of women , which made it necessary to keep them a good deal in the back - ground . Does not this state of manners itself , which prevented their exhibiting them- selves in public , and confined them to the rela- tions and ...
... play the parts of women , which made it necessary to keep them a good deal in the back - ground . Does not this state of manners itself , which prevented their exhibiting them- selves in public , and confined them to the rela- tions and ...
Side 9
... play are repre- sented with great truth and accuracy , and as it happens in most of the author's works , there is not only the utmost keeping in each separate character ; but in the casting of the different parts , and their relation to ...
... play are repre- sented with great truth and accuracy , and as it happens in most of the author's works , there is not only the utmost keeping in each separate character ; but in the casting of the different parts , and their relation to ...
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Characters of Shakespear's Plays, & Lectures on the English Poets William Hazlitt Uten tilgangsbegrensning - 1903 |
Vanlige uttrykk og setninger
admirable affections answer Antony Apemantus banished Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona doth eyes Falstaff fancy father fear feeling fool fortune friends genius give Gonerill grace grave Hamlet hath hear heart heaven Henry honour Hubert human Iago imagination Juliet Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince racter refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shake Shakespear shew shewn Sir Toby sleep soul speak spear speech spirit story striking sweet tender thee thing thou art thought tion Titus Andronicus tongue tragedy true truth unto wife wild words Yorkshire Tragedy youth
Populære avsnitt
Side 174 - I'll kneel down, And ask of thee forgiveness. So we'll live, And pray, and sing, and tell old tales, and laugh At gilded butterflies, and hear poor rogues Talk of court news ; and we'll talk with them too, Who loses,- and who wins ; who's in, who's out ; And take...
Side 222 - All murder'd: for within the hollow crown That rounds the mortal temples of a king Keeps Death his court and there the antic sits, Scoffing his state and grinning at his pomp, Allowing him a breath, a little scene, To monarchize, be fear'd and kill with looks...
Side 351 - When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon myself, and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope...
Side 259 - A blank, my lord. She never told her love, But let concealment, like a worm i...
Side 36 - Would he were fatter: — But I fear him not. Yet if my name were liable to fear, I do not know the man I should avoid So soon as that spare Cassius. He reads much ; He is a great observer, and he looks Quite through the deeds of men...
Side 187 - God save him ; No joyful tongue gave him his welcome home : But dust was thrown upon his sacred head ; Which, with such gentle sorrow he shook off, His face still combating with tears and smiles, The badges of his grief and patience, That had not God, for some strong purpose, steel'd The hearts of men, they must perforce have melted, And barbarism itself have pitied him.
Side 151 - O my love ! my wife ! Death, that hath suck'd the honey of thy breath, Hath had no power yet upon thy beauty : Thou art not conquer'd ; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there.
Side 87 - O, let not virtue seek Remuneration for the thing it was ; For beauty, wit, High birth, vigour of bone, desert in service, Love, friendship, charity, are subjects all To envious and calumniating time.
Side 352 - That time of year thou may'st in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang.
Side 156 - This is the excellent foppery of the world, that, when we are sick in fortune, — often the surfeit of our own behaviour, — we make guilty of our disasters the sun, the moon, and the stars...