Essays and Studies, Volum 4J. Murray, 1913 |
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Side 9
... beauty to the imagination of the poet , these are statements which it is wholly unnecessary to contest . So when Voltaire , dedicating his tragedy of Zulime to a popular actress of his time , tells her that without great actors , a play ...
... beauty to the imagination of the poet , these are statements which it is wholly unnecessary to contest . So when Voltaire , dedicating his tragedy of Zulime to a popular actress of his time , tells her that without great actors , a play ...
Side 12
... beauty of a play , it makes the piece in itself neither better nor worse ; and yet he feels that it is valuable for the poet to understand the theatre , in order that he may know whether his play is well acted and whether the scenery is ...
... beauty of a play , it makes the piece in itself neither better nor worse ; and yet he feels that it is valuable for the poet to understand the theatre , in order that he may know whether his play is well acted and whether the scenery is ...
Side 28
... when the lover studies the laws of love ' and the ' conditions of love ' instead of his lady's beauty and his own soul . J. E. SPINGARN . ENGLISH PROSE NUMBERS ' ALL things ' , says Aristotle 28 A NOTE ON DRAMATIC CRITICISM J E SPINGARN.
... when the lover studies the laws of love ' and the ' conditions of love ' instead of his lady's beauty and his own soul . J. E. SPINGARN . ENGLISH PROSE NUMBERS ' ALL things ' , says Aristotle 28 A NOTE ON DRAMATIC CRITICISM J E SPINGARN.
Side 35
... beauty or pleasure , furnished by different writers or by different sorts of prose ? Professor Saintsbury's History is one long effort to discriminate such effects and to find words for them . He has much that is new to teach , and he ...
... beauty or pleasure , furnished by different writers or by different sorts of prose ? Professor Saintsbury's History is one long effort to discriminate such effects and to find words for them . He has much that is new to teach , and he ...
Side 48
... beauty are at once audible : the following are but a few of them : ' meék submission to his will ' ; ' ázure dépth of the sky ' ; ' frágment or a hínt of such a cloud ' ; ' weéping clámorously for death ' ; ' ( as ) cénded into the ...
... beauty are at once audible : the following are but a few of them : ' meék submission to his will ' ; ' ázure dépth of the sky ' ; ' frágment or a hínt of such a cloud ' ; ' weéping clámorously for death ' ; ' ( as ) cénded into the ...
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Vanlige uttrykk og setninger
accent action actors aesthetic Akeld amphibrach anapaest Aristotle audience beauty bing cadences character cretic crowd cursus dactyl Defoe's dialect dramatic criticism Duncombe Durham Dutch Early forms earth effect element is found Embleton English prose ev'ry evil foot-scansion Foreigners Galsworthy Gibbon gives Greek H. C. BEECHING heaven iamb idea imagination John Tutchin Jones King less light syllables Lord Marlowe Marlowe's meaning metre mind modern moral Nation native cadences nature ne're never Northumberland Nthb paeon passion Phaedrus place-names Plato play playwright poem poet poetry Prometheus Unbound Prose Rhythm Quincey Reepham reign Revolt of Islam Saintsbury Satyr says scansion scene sense sequences Shelley Shelley's shou'd Silver Box Snitter soul speech spirit spondee stage suggests supreme Tamburlaine theatre theatrical theory things third paeons tion tragedy trochee true True-Born Englishman tyrant verse Walkley whole word wou'd Zenocrate καὶ
Populære avsnitt
Side 38 - It was at Rome, on the 15th of October 1764, as I sat musing amidst the ruins of the Capitol, while the bare-footed friars were singing vespers in the Temple of Jupiter, that the idea of writing the decline and fall of the city first started to my mind.
Side 75 - Milton's Devil as\ ^ a moral being is as far superior to his God, as one who perseveres \ in some purpose which he has conceived to be excellent in spite of \ adversity and torture, is to one who in the cold security of undoubted triumph inflicts the most horrible revenge upon his enemy...
Side 82 - Peace, peace ! he is not dead, he doth not sleep ! He hath awakened from the dream of life. 'Tis we who, lost in stormy visions, keep With phantoms an unprofitable strife, And in mad trance strike with our spirit's knife Invulnerable nothings. We decay Like corpses in a charnel ; fear and grief Convulse us and consume us day by day, And cold hopes swarm like worms within our living clay.
Side 78 - When musing deeply on the lot Of life, at that sweet time when winds are wooing All vital things that wake to bring News of birds and blossoming, Sudden, thy shadow fell on me ; I shrieked, and clasped my hands in ecstasy...
Side 121 - The greatest artists are the greatest sots. The country poor do by example live; The gentry lead them, and the clergy drive: What may we not from such examples hope ? The landlord is their god, the priest their pope. A drunken clergy and a swearing bench...
Side 85 - But Greece and her foundations are Built below the tide of war, Based on the crystalline sea Of thought and its eternity; Her citizens, imperial spirits, Rule the present from the past, On all this world of men inherits Their seal is set.
Side 84 - And many more, whose names on earth are dark But whose transmitted effluence cannot die So long as fire outlives the parent spark, Rose, robed in dazzling immortality. "Thou art become as one of us...
Side 91 - With hue like that when some great painter dips His pencil in the gloom of earthquake and eclipse.
Side 95 - Which bear thy name; love, like the atmosphere Of the sun's fire filling the living world, Burst from thee, and illumined earth and heaven And the deep ocean and the sunless caves And all that dwells within them ; till grief...
Side 11 - Fear and pity may be aroused by spectacular means; but they may also result from the inner structure of the piece, which is the better way, and indicates a superior poet. For the plot ought to be so constructed that, even without the aid of the eye, he who hears the tale told will thrill with horror and melt to pity at what takes place.