Essays and Studies, Volum 4J. Murray, 1913 |
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Side 7
... never visited the museum ) they are subsidiary to the main object of the directors , which is to illustrate the changing conditions of the theatres of the world as an essential introduction to the study of the drama . Now , there can be ...
... never visited the museum ) they are subsidiary to the main object of the directors , which is to illustrate the changing conditions of the theatres of the world as an essential introduction to the study of the drama . Now , there can be ...
Side 17
... never cease to seek external cures for inner deficiencies of the human spirit ; and yet every age must protest against this form of quackery in its own way . In this case it was left to Lessing to point out Diderot's and Voltaire's more ...
... never cease to seek external cures for inner deficiencies of the human spirit ; and yet every age must protest against this form of quackery in its own way . In this case it was left to Lessing to point out Diderot's and Voltaire's more ...
Side 18
... never was a thing written , lyric , ballad , epic , drama , or what not , that was not strengthened in the impression it makes , by having a noble voice or an exquisite art express it for us . Of course the trained actor gives a new ...
... never was a thing written , lyric , ballad , epic , drama , or what not , that was not strengthened in the impression it makes , by having a noble voice or an exquisite art express it for us . Of course the trained actor gives a new ...
Side 20
... never quite arriving at the more modern conception by which the shape of the theatre or of the stage is regarded as having actually determined . the nature of the actual drama in each age . The Austrian playwright , Grillparzer , to ...
... never quite arriving at the more modern conception by which the shape of the theatre or of the stage is regarded as having actually determined . the nature of the actual drama in each age . The Austrian playwright , Grillparzer , to ...
Side 22
... never heard , our aesthetician of the theatre places the idea of an audience first . When you think of the theatre you think of the presence of the public ; when you think of a play , you think in the same instant of the public come to ...
... never heard , our aesthetician of the theatre places the idea of an audience first . When you think of the theatre you think of the presence of the public ; when you think of a play , you think in the same instant of the public come to ...
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Vanlige uttrykk og setninger
accent action actors aesthetic Akeld amphibrach anapaest Aristotle audience beauty bing cadences character cretic crowd cursus dactyl Defoe's dialect dramatic criticism Duncombe Durham Dutch Early forms earth effect element is found Embleton English prose ev'ry evil foot-scansion Foreigners Galsworthy Gibbon gives Greek H. C. BEECHING heaven iamb idea imagination John Tutchin Jones King less light syllables Lord Marlowe Marlowe's meaning metre mind modern moral Nation native cadences nature ne're never Northumberland Nthb paeon passion Phaedrus place-names Plato play playwright poem poet poetry Prometheus Unbound Prose Rhythm Quincey Reepham reign Revolt of Islam Saintsbury Satyr says scansion scene sense sequences Shelley Shelley's shou'd Silver Box Snitter soul speech spirit spondee stage suggests supreme Tamburlaine theatre theatrical theory things third paeons tion tragedy trochee true True-Born Englishman tyrant verse Walkley whole word wou'd Zenocrate καὶ
Populære avsnitt
Side 38 - It was at Rome, on the 15th of October 1764, as I sat musing amidst the ruins of the Capitol, while the bare-footed friars were singing vespers in the Temple of Jupiter, that the idea of writing the decline and fall of the city first started to my mind.
Side 75 - Milton's Devil as\ ^ a moral being is as far superior to his God, as one who perseveres \ in some purpose which he has conceived to be excellent in spite of \ adversity and torture, is to one who in the cold security of undoubted triumph inflicts the most horrible revenge upon his enemy...
Side 82 - Peace, peace ! he is not dead, he doth not sleep ! He hath awakened from the dream of life. 'Tis we who, lost in stormy visions, keep With phantoms an unprofitable strife, And in mad trance strike with our spirit's knife Invulnerable nothings. We decay Like corpses in a charnel ; fear and grief Convulse us and consume us day by day, And cold hopes swarm like worms within our living clay.
Side 78 - When musing deeply on the lot Of life, at that sweet time when winds are wooing All vital things that wake to bring News of birds and blossoming, Sudden, thy shadow fell on me ; I shrieked, and clasped my hands in ecstasy...
Side 121 - The greatest artists are the greatest sots. The country poor do by example live; The gentry lead them, and the clergy drive: What may we not from such examples hope ? The landlord is their god, the priest their pope. A drunken clergy and a swearing bench...
Side 85 - But Greece and her foundations are Built below the tide of war, Based on the crystalline sea Of thought and its eternity; Her citizens, imperial spirits, Rule the present from the past, On all this world of men inherits Their seal is set.
Side 84 - And many more, whose names on earth are dark But whose transmitted effluence cannot die So long as fire outlives the parent spark, Rose, robed in dazzling immortality. "Thou art become as one of us...
Side 91 - With hue like that when some great painter dips His pencil in the gloom of earthquake and eclipse.
Side 95 - Which bear thy name; love, like the atmosphere Of the sun's fire filling the living world, Burst from thee, and illumined earth and heaven And the deep ocean and the sunless caves And all that dwells within them ; till grief...
Side 11 - Fear and pity may be aroused by spectacular means; but they may also result from the inner structure of the piece, which is the better way, and indicates a superior poet. For the plot ought to be so constructed that, even without the aid of the eye, he who hears the tale told will thrill with horror and melt to pity at what takes place.