Essays and Studies, Volum 4J. Murray, 1913 |
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Side 11
... whole sub- ject of stage decoration and scenery , because Aristotle said they do not properly concern the poet ; and this despite his own complaint that most dramatic critics have discussed the drama as philosophers and grammarians ...
... whole sub- ject of stage decoration and scenery , because Aristotle said they do not properly concern the poet ; and this despite his own complaint that most dramatic critics have discussed the drama as philosophers and grammarians ...
Side 12
... whole field of literary theory with remarkable thoroughness and with even more remarkable independence of mind . Indeed , this inde- pendence of mind gained for him the rancour of classicists in all the countries of Europe for a century ...
... whole field of literary theory with remarkable thoroughness and with even more remarkable independence of mind . Indeed , this inde- pendence of mind gained for him the rancour of classicists in all the countries of Europe for a century ...
Side 14
... whole of Castelvetro's dramatic system is conformed . In the first place , since the audience may be great in number , the theatre must be large , and yet the audience must be able to hear the play ; hence verse is added , not merely as ...
... whole of Castelvetro's dramatic system is conformed . In the first place , since the audience may be great in number , the theatre must be large , and yet the audience must be able to hear the play ; hence verse is added , not merely as ...
Side 15
... Whole Art of the Stage ; the Abbé Du Bos , whose Réflexions critiques sur la Poésie et sur la Peinture was one of ... whole people ! ' 6 Yes , obviously actors , even authors , but why a theatre and a whole people for drama like this ...
... Whole Art of the Stage ; the Abbé Du Bos , whose Réflexions critiques sur la Poésie et sur la Peinture was one of ... whole people ! ' 6 Yes , obviously actors , even authors , but why a theatre and a whole people for drama like this ...
Side 18
... whole town to assemble at one place , if I intend to produce nothing more with my work and its representation than some of those emotions that would be produced by any good story that every one could read by his chimney - corner at home ...
... whole town to assemble at one place , if I intend to produce nothing more with my work and its representation than some of those emotions that would be produced by any good story that every one could read by his chimney - corner at home ...
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Vanlige uttrykk og setninger
accent action actors aesthetic Akeld amphibrach anapaest Aristotle audience beauty bing cadences character cretic crowd cursus dactyl Defoe's dialect dramatic criticism Duncombe Durham Dutch Early forms earth effect element is found Embleton English prose ev'ry evil foot-scansion Foreigners Galsworthy Gibbon gives Greek H. C. BEECHING heaven iamb idea imagination John Tutchin Jones King less light syllables Lord Marlowe Marlowe's meaning metre mind modern moral Nation native cadences nature ne're never Northumberland Nthb paeon passion Phaedrus place-names Plato play playwright poem poet poetry Prometheus Unbound Prose Rhythm Quincey Reepham reign Revolt of Islam Saintsbury Satyr says scansion scene sense sequences Shelley Shelley's shou'd Silver Box Snitter soul speech spirit spondee stage suggests supreme Tamburlaine theatre theatrical theory things third paeons tion tragedy trochee true True-Born Englishman tyrant verse Walkley whole word wou'd Zenocrate καὶ
Populære avsnitt
Side 38 - It was at Rome, on the 15th of October 1764, as I sat musing amidst the ruins of the Capitol, while the bare-footed friars were singing vespers in the Temple of Jupiter, that the idea of writing the decline and fall of the city first started to my mind.
Side 75 - Milton's Devil as\ ^ a moral being is as far superior to his God, as one who perseveres \ in some purpose which he has conceived to be excellent in spite of \ adversity and torture, is to one who in the cold security of undoubted triumph inflicts the most horrible revenge upon his enemy...
Side 82 - Peace, peace ! he is not dead, he doth not sleep ! He hath awakened from the dream of life. 'Tis we who, lost in stormy visions, keep With phantoms an unprofitable strife, And in mad trance strike with our spirit's knife Invulnerable nothings. We decay Like corpses in a charnel ; fear and grief Convulse us and consume us day by day, And cold hopes swarm like worms within our living clay.
Side 78 - When musing deeply on the lot Of life, at that sweet time when winds are wooing All vital things that wake to bring News of birds and blossoming, Sudden, thy shadow fell on me ; I shrieked, and clasped my hands in ecstasy...
Side 121 - The greatest artists are the greatest sots. The country poor do by example live; The gentry lead them, and the clergy drive: What may we not from such examples hope ? The landlord is their god, the priest their pope. A drunken clergy and a swearing bench...
Side 85 - But Greece and her foundations are Built below the tide of war, Based on the crystalline sea Of thought and its eternity; Her citizens, imperial spirits, Rule the present from the past, On all this world of men inherits Their seal is set.
Side 84 - And many more, whose names on earth are dark But whose transmitted effluence cannot die So long as fire outlives the parent spark, Rose, robed in dazzling immortality. "Thou art become as one of us...
Side 91 - With hue like that when some great painter dips His pencil in the gloom of earthquake and eclipse.
Side 95 - Which bear thy name; love, like the atmosphere Of the sun's fire filling the living world, Burst from thee, and illumined earth and heaven And the deep ocean and the sunless caves And all that dwells within them ; till grief...
Side 11 - Fear and pity may be aroused by spectacular means; but they may also result from the inner structure of the piece, which is the better way, and indicates a superior poet. For the plot ought to be so constructed that, even without the aid of the eye, he who hears the tale told will thrill with horror and melt to pity at what takes place.