The Theatre Unbound: A Plea on Behalf of the Ill-used: the Actor, the Stage, and the Spectator ...

actor actual æsthete æsthetic attitude æsthetic experience æsthetic reality Albert Chevalier ancient Greece appear appreciation apron stage arouse Art for Art's Art's sake artist attempt audience auditorium character choregraphic acting conception contemplation conventional create creative disguise the stage disinterested Doctor's Dilemma dramatic action dramatic art dramatic spectacle dramatist Drury Lane earnest effect elements Elizabethan Elizabethan theatre emotion English theatre essential Everyman Theatre existing expression fact feel film Greek ideal illusion illusionistic imagination independent instance kinema latter London London Pavilion make-believe masses means medieval pageant medium merely mimic acting modern theatre Moscovitch Moscow Art Theatre mounting music-hall mystery play naturalistic nature object obviously ordinary painted performance picture playgoers plot presentational method principle produce proscenium arch purely theatrical qualities realistic Reinhardt religious representational Russia scene scenery sense Shaw Shaw's plays spectator spirit symbolical theatre building theatrical art thing tion to-day traditions vital art