The Life of Ludwig Van Beethoven, Volum 2Beethoven Association, 1921 |
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Side v
... Sketchbook - The Singers and the Production - Vienna Abandoned by the Aristocracy as French Advance - Röckel's Story of the Revision of the Opera - Compositions and Publications of the Year CHAPTER IV . The Year 1806 - Repetitions of ...
... Sketchbook - The Singers and the Production - Vienna Abandoned by the Aristocracy as French Advance - Röckel's Story of the Revision of the Opera - Compositions and Publications of the Year CHAPTER IV . The Year 1806 - Repetitions of ...
Side 20
... sketchbook of 1803 de- scribed by Nottebohm . Beethoven wrote the word " brillante " after " stilo " but scratched it out . It is obvious that he wished to emphasize the difference between this Sonata and its prede- cessors . Simrock's ...
... sketchbook of 1803 de- scribed by Nottebohm . Beethoven wrote the word " brillante " after " stilo " but scratched it out . It is obvious that he wished to emphasize the difference between this Sonata and its prede- cessors . Simrock's ...
Side 40
... sketchbook , between which and the book of 1803 there seems to have been another , of which no trace has been found , may have extended to the beginning of 1805 . Chapter III The Year 1805 - First Public Performance of 40 THE LIFE OF ...
... sketchbook , between which and the book of 1803 there seems to have been another , of which no trace has been found , may have extended to the beginning of 1805 . Chapter III The Year 1805 - First Public Performance of 40 THE LIFE OF ...
Side 41
... Sketchbook - The Singers and the Pro- duction . T HE life of an author or composer , when absorbed in the study of a great work , falls into a routine of daily labor that presents few salient points to the biographer . Thus it was with ...
... Sketchbook - The Singers and the Pro- duction . T HE life of an author or composer , when absorbed in the study of a great work , falls into a routine of daily labor that presents few salient points to the biographer . Thus it was with ...
Side 45
... sketchbook which became the property of Mr. Paul Mendelssohn , of Berlin . The principal value of this manuscript lies of course in the insight which it gives the musician into the master's methods of composition ; but for the ...
... sketchbook which became the property of Mr. Paul Mendelssohn , of Berlin . The principal value of this manuscript lies of course in the insight which it gives the musician into the master's methods of composition ; but for the ...
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The Life of Ludwig Van Beethoven, Volum 2 Alexander Wheelock Thayer,Beethoven Association Uten tilgangsbegrensning - 1921 |
The Life of Ludwig Van Beethoven, Volum 2 Alexander Wheelock Thayer,Beethoven Association Uten tilgangsbegrensning - 1921 |
Vanlige uttrykk og setninger
appear April Archduke Rudolph arrangement Artaria artist asked B-flat beautiful Beet Beethoven wrote Birchall Breitkopf and Härtel Breuning brother Brunswick Chapelmaster chorus Christus am Ölberg Clementi composer composer's compositions concert copy Count Countess Court Coutts and Co Czerny dear December dedicated ducats Egmont Erdödy Fantasia February Fidelio florins gave Giannatasio give Gleichenstein Goethe Haydn hear Herr hoven July Karl Kinsky Leonore letter Lichnowsky Lobkowitz lodgings London Ludwig van Beethoven Mälzel manuscript March matter Mödling musicians Neate nephew never notes Nottebohm November offered opera oratorio orchestra overture Panharmonicon performance pianoforte piece played Prague Prince Lichnowsky Prince Lobkowitz printed published quartet Rasoumowsky received rehearsal Ries Röckel says Schindler Schuppanzigh score Seyfried sketchbook sketches Sonata songs soon Steiner Streicher Symphony Teplitz Thayer Theater-an-der-Wien theatre Therese took Treitschke Trio Vienna violin violoncello Wiener Zeitung wish words write written Zmeskall
Populære avsnitt
Side 191 - Herz, mein Herz, was soll das geben? Was bedränget dich so sehr? Welch ein fremdes, neues Leben! Ich erkenne dich nicht mehr. Weg ist alles, was du liebtest, Weg, warum du dich betrübtest, Weg dein Fleiß und deine Ruh — Ach, wie kamst du nur dazu? Fesselt dich die Jugendblüte, Diese liebliche Gestalt, Dieser Blick voll Treu und Güte, Mit unendlicher Gewalt?
Side 187 - When I open my eyes I must sigh, for what I see is contrary to my religion, and I must despise the world which does not know that music is a higher revelation than all wisdom and philosophy, the wine which inspires one to new generative processes, and I am the Bacchus who presses out this glorious wine for mankind and makes them spiritually drunken.
Side 365 - Rasch tritt der Tod den Menschen an, Es ist ihm keine Frist gegeben; Es stürzt ihn mitten in der Bahn, Es reißt ihn fort vom vollen Leben.
Side 193 - The setting of a great hope is like the setting of the sun. The brightness of our life is gone. Shadows of evening fall around us, and the world seems but a dim reflection, — itself a broader shadow. We look forward into , the coming lonely night. The soul withdraws into itself. Then stars arise, and the night is holy.
Side 115 - A sea, which broke over the quarter, washed a hencoop from its lashing, and drowned nearly three dozen of fowls. But it is an ill wind that blows nobody any good.
Side 188 - Speak to Goethe about me. Tell him to hear my symphonies and he will say that I am right in saying that music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend.
Side 24 - ... mind, but as he was when he was First Consul. Beethoven esteemed him greatly at the time and likened him to the greatest Roman Consuls. I as well as several of his more intimate friends saw a copy of the score lying upon his table, with the word 'Buonaparte' at the extreme top of the title page, and at the extreme bottom 'Luigi van Beethoven', but not another word.
Side 24 - Is he then, too, nothing more than an ordinary human being? Now he, too, will trample on all the rights of man and indulge only his ambition. He will exalt himself above all others, become a tyrant!
Side 189 - ... it is immaterial whether he speaks from feeling or knowledge, for here the gods are at work strewing seeds for future discernment and we can only wish that they may proceed undisturbedly to development. But before they can become general, the clouds which veil the human mind must be dispersed. . . . To think of teaching him would be an insolence even in one with greater insight than mine, since he has the guiding light of his genius, which frequently illumines his mind like a stroke of lightning...
Side 7 - I saw almost nothing but empty leaves; at the most on one page or the other a few Egyptian hieroglyphs wholly unintelligible to me scribbled down to serve as clues for him; for he played nearly all of the solo part from memory, since, as was so often the case, he had not had time to put it all on paper.