Measure for MeasureOxford University Press, 1998 - 255 sider Since the rediscovery of Elizabethan stage conditions early this century, admiration for Measure for Measure has steadily risen. It is now a favorite with the critics and has attracted widely different styles of performance. At one extreme the play is seen as a religious allegory, at the other it has been interpreted as a comedy protesting against power and privilege. Brian Gibbons focuses on the unique tragi-comic experience of watching the play, the intensity and excitement offered by its dramatic rhythm, the reversals and surprises that shock the audience even to the end. The introduction describes the play's critical reception and stage history and how these have varied according to prevailing social, moral and religious issues, which were highly sensitive when |
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Vanlige uttrykk og setninger
Abbott ABHORSON appear audience Barbara Jefford Barnardine bawd behaviour brother CAPELL characters Cinthio Claudio condemned context contract Crane DAVENANT death doth Dover Wilson Duchess of Malfi Duke's edition editors Elbow Elizabethan emendation Enter Duke Epitia ESCALUS evil executed Exeunt Exit Folio foul papers Friar Peter Froth GENTLEMAN give glosses grace Hamlet HANMER hath heaven Henry Henry IV honour implying Isabel Isabella Julietta justice kind king Lever lines Lord Angelo LUCIO maid Mariana marriage married mean Measure for Measure mercy Mistress Overdone OED's sense offence Officers Othello Overdone's OXFORD pardon perhaps play Pompey POPE prison Promos proverbial Provost punishment refer Richard II ROWE Royal Shakespeare Theatre scene seems sexual Shakespeare sister slander speak speech story suggests Theatre thee thou art Tilley Tilley/Dent tion Twelfth Night virtue What's wife woman women word
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Euphemism & Dysphemism: Language Used as Shield and Weapon Keith Allan,Kate Burridge Utdragsvisning - 1991 |
Choices for Living: Coping with Fear of Dying Thomas S. Langner Ingen forhåndsvisning tilgjengelig - 2002 |