The Function of the Dream and the Body in Diderot's WorksP. Lang, 2004 - 163 sider In addition to his philosophical works and innovative novels, the eighteenth-century writer Denis Diderot is most often recognized as one of the major authors of the Encyclopédie. Described by scholars as a modern and provocative thinker and writer, Diderot inspired intellectual discussion with his theories of artistic mimesis, in which he placed special emphasis on what is not stated in words, but is conveyed through gestures and other non-verbal methods of communication. This book explores Diderot's representation of the body as a tableau vivant - a literary painting in which the narrator portrays his characters as if suspended in a state of oscillation between paralysis and movement. The Function of the Dream and the Body in Diderot's Works discusses how Diderot's depiction of the body poses problems of interpretation for the serious reader/spectator, who, as in Freudian dream analysis, must generate a narrative based on a visual painting of the body's silent speech. |
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Side 36
... primitive nature of dreams , and its relation to the concept of the tableau vivant that the body represents . Freud terms regression as " thoughts transformed into images " ( p . 400 ) , resulting as an effect of the resistance on the ...
... primitive nature of dreams , and its relation to the concept of the tableau vivant that the body represents . Freud terms regression as " thoughts transformed into images " ( p . 400 ) , resulting as an effect of the resistance on the ...
Side 54
... primitive ... " ( p . 651 ) . And of its relationship to the theatre : " ... le geste que la sensibilité rend agile , part toujours au moment même où l'âme éprouve le sentiment " ( p . 652 ) . Cahusac also underlines the primitive na ...
... primitive ... " ( p . 651 ) . And of its relationship to the theatre : " ... le geste que la sensibilité rend agile , part toujours au moment même où l'âme éprouve le sentiment " ( p . 652 ) . Cahusac also underlines the primitive na ...
Side 138
... primitive gestures , or gesticulatio , that , like the subject of Diderot's ideal actor , do not suggest an observer . This primitive representation of the body as a mobile statue is the recurring mythic gesture of this study . One must ...
... primitive gestures , or gesticulatio , that , like the subject of Diderot's ideal actor , do not suggest an observer . This primitive representation of the body as a mobile statue is the recurring mythic gesture of this study . One must ...
Innhold
Introduction | 1 |
Drifting Ice and Floating Labels | 13 |
Dialogic Bodies Monologic Tableaux | 53 |
Opphavsrett | |
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The Function of the Dream and the Body in Diderot's Works Jennifer Vanderheyden Begrenset visning - 2004 |
Vanlige uttrykk og setninger
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