The Function of the Dream and the Body in Diderot's WorksP. Lang, 2004 - 163 sider In addition to his philosophical works and innovative novels, the eighteenth-century writer Denis Diderot is most often recognized as one of the major authors of the Encyclopédie. Described by scholars as a modern and provocative thinker and writer, Diderot inspired intellectual discussion with his theories of artistic mimesis, in which he placed special emphasis on what is not stated in words, but is conveyed through gestures and other non-verbal methods of communication. This book explores Diderot's representation of the body as a tableau vivant - a literary painting in which the narrator portrays his characters as if suspended in a state of oscillation between paralysis and movement. The Function of the Dream and the Body in Diderot's Works discusses how Diderot's depiction of the body poses problems of interpretation for the serious reader/spectator, who, as in Freudian dream analysis, must generate a narrative based on a visual painting of the body's silent speech. |
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Side 58
... Tout change , tout passe , il n'y a que le tout qui reste " [ pp . 893–94 ] ) . As such , we never die but simply change form : " ... je ne meurs point en ce sens , ni moi , ni quoi que ce soit ... Naître , vivre et passer , c'est ...
... Tout change , tout passe , il n'y a que le tout qui reste " [ pp . 893–94 ] ) . As such , we never die but simply change form : " ... je ne meurs point en ce sens , ni moi , ni quoi que ce soit ... Naître , vivre et passer , c'est ...
Side 60
... tout nier ou tout accorder ... " ( Suite de L'Entretien , p . 231 ) . I will return to this concept of " all or nothing " in Part Two of this chapter in a discussion of the actor as being " tout et rien . " It is in the sleeping ...
... tout nier ou tout accorder ... " ( Suite de L'Entretien , p . 231 ) . I will return to this concept of " all or nothing " in Part Two of this chapter in a discussion of the actor as being " tout et rien . " It is in the sleeping ...
Side 72
... tout faire , tout imiter - pour tout ( re ) présenter ou tout ( re ) produire , au sens le plus fort— , il faut n'être rien par soi - même , n'avoir rien en propre , sinon une ' égale apti- tude ' à toutes sortes de choses , de rôles ...
... tout faire , tout imiter - pour tout ( re ) présenter ou tout ( re ) produire , au sens le plus fort— , il faut n'être rien par soi - même , n'avoir rien en propre , sinon une ' égale apti- tude ' à toutes sortes de choses , de rôles ...
Innhold
Introduction | 1 |
Drifting Ice and Floating Labels | 13 |
Dialogic Bodies Monologic Tableaux | 53 |
Opphavsrett | |
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The Function of the Dream and the Body in Diderot's Works Jennifer Vanderheyden Begrenset visning - 2004 |
Vanlige uttrykk og setninger
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