Nineteenth-Century Theories of ArtUniversity of California Press, 1987 - 563 sider This unique and extraordinarily rich collection of writings offers a thematic approach to understanding the various theories of art that illumined the direction of nineteenth-century artists as diverse as Tommaso Minardi and Georges Seurat. It is significant that during the nineteenth century most artists felt compelled to found their artistic practice on a consciously established premise. |
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Innhold
ART AND THE COMMUNITY OF SOULS | 121 |
FRANÇOIS RENÉ vicomte dE CHATEAUBRIAND | 153 |
FRIEDRICH OVERBECK Diaries and Letters 1811 1814 | 162 |
Adolphe thierS On Naïveté in the Arts 1822 | 170 |
A F RIO The Poetry of Christian Art 1836 | 195 |
ÉTIENNEJEAN DELÉCLUZE The Beards of 1800 | 206 |
CHARLES BAUDELAIRE What Is Romanticism? 1846 | 220 |
27 | 236 |
JOHN RUSKIN Preface to the Second Edition | 286 |
JOHN CONSTABLE Letters and Notes on Painting | 297 |
CAMILLE COROT Letters and Reflections on Painting | 307 |
ART AND SOCIETY | 351 |
AN ART OF PURE VISION | 411 |
ART AS CREATION | 487 |
JAMES MCNEILL whistler Mr Whistlers Ten | 502 |
CHARLES HENRY The Chromatic Circle 1888 | 530 |
PIERREHENRI DE VALENCIENNES Advice to a Student | 246 |
PHILIPP OTTO RUNGE Letter to Daniel Runge 1802 | 260 |
CARL G CARUS Nine Letters on Landscape Painting | 270 |
List of Illustrations and Credits | 549 |
555 | |
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Vanlige uttrykk og setninger
according admirable aesthetic antique appear artist beauty become blue called Camille Pissarro century character chiaroscuro Christian Claude Lorrain color colorist composition conception Conrad Fiedler contrast Courbet critics drawing Édouard Manet effect Émile Zola Eugène Delacroix execution exhibition exist expression feeling figures French genius Georges Seurat Greek green Gustave Courbet harmony human idea ideal imagination imitation impression Ingres Jean-François Millet kind landscape less light living look macchia matter means Michelangelo Minardi mind modern moral nature Neoimpressionism never objects observation oil on canvas orange painter painting Paris perception perfection Phidias Philipp Otto Runge philosopher picture pleasure poet poetry portrait principles produced qualities Raphael Romanticism Rome Salon sculpture sense sentiment Seurat society soul spirit style sublime talent taste theory things thought tion Titian tone translated true truth violet visual yellow
Referanser til denne boken
The First Moderns: Profiles in the Origins of Twentieth-Century Thought William R. Everdell Begrenset visning - 1997 |
The Life of a Style: Beginnings and Endings in the Narrative History of Art Jonathan Gilmore Uten tilgangsbegrensning - 2000 |