 | SEVERAL HANDS - 1773 - 620 sider
...occafion. • Pouiliii in the latter part of his life changed from his dry manner to one much fofter and richer, where there is a greater union between the figures and the ground, fuch as the Seven Sacrament» in the Dulce of Orleans' collection ; but neither thefe, nor any in this... | |
 | 1773 - 614 sider
...occ'aflon. * Pouflin in the latter part of his life changed from his dYy manner to one much fofterand richer, where there is a greater union between the figures and the ground, fuch as 'the Seven Sacraments in the Duke of Orleans' collection ; but neither thefe, nor any in this... | |
 | Edmund Burke - 1774 - 606 sider
...ancient fimplicity which diftinguiihes his ftyle. .•..'• : -'". The favourite fubjefts of Pouffin, were ancient fables; and no painter was ever better qualified to paint fuch fubjedls, nofonly from his being eminently (killed in the knowledge of ceremonies, cuftoms, and... | |
 | Sir Joshua Reynolds - 1778 - 346 sider
...POUSSIN t 1*1 1 POUSSIN in the latter part of his life; changed from his dry manner to one much fofter and richer, where there is a greater union between the figures and the ground, fuch as the Seven Sacraments in the Duke of Orleans' collection ; but neither thefe, nor any in this... | |
 | 1801 - 366 sider
...diftinguifh his ftile. In fch« latter part of his life Jbe changed from this manner into one much fofter and richer, where there is a greater union between the figures and the ground. His favorite fubje&s were ancient fables ; and no painter was ever better qualified to paint fuch iubje&s,... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - 440 sider
...would use on every occasion. . . Poussin in the latter part of his life changed from his dry manner to one much softer and richer, where there is a greater union between the figures and ground ; as in the Seven Sacraments in the Duke of Orleans's collection; but neither these, nor any... | |
 | 1803 - 598 sider
...correspondent to that ancient simplicity which distinguishes his style. "The favourite subjects of Poussin were ancient fables ; and no painter was ever better...from his being eminently skilled in the knowledge of ceremonies, customs, and habits of the ancients, but from his being so well acquainted with the different... | |
 | 1808 - 388 sider
...chiaro-scuro, than to expression and design. In the latter part of his life he changed from this dry manner to one much softer and richer, where there is a greater union between the figures and the ground, as in the Seven Sacraments ; but neither these, nor any of his other pictures in this manner, are at... | |
 | 1808 - 540 sider
...chiaro-scuro, than to expression and design. In the latter part of his life he changed from this dry manner to one much softer and richer, where there is a greater union between the figures and the ground, as in the Seven Sacraments ; but neither these, nor any of his other pictures in this manner, are at... | |
 | Sir Joshua Reynolds, Edmond Malone - 1809 - 476 sider
...would use on every occasion. Poussin in the latter part of his life changed from his dry manner to one much softer and richer, where there is a greater union between the figures and ground ; as in the Seven Sacraments in the Duke of Orleans's collection ; but neither these, nor any... | |
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Poussin in the latter part of his life changed from his dry manner to one much softer and richer, where there is a greater union between the figures and ground; as in the Seven Sacraments in the Duke of Orleans... 
