Taste and Criticism in the Eighteenth Century: A Selection of Texts Illustrating the Evolution of Taste and the Development of Critical TheoryH. A. Needham Books for Libraries Press, 1969 - 231 sider |
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Side 143
... greater variety , and much the nobler apartments ; though we are often conducted to them by dark , odd , and uncouth passages . Nor does the whole fail to strike us with greater reverence , though many of the parts are childish , ill ...
... greater variety , and much the nobler apartments ; though we are often conducted to them by dark , odd , and uncouth passages . Nor does the whole fail to strike us with greater reverence , though many of the parts are childish , ill ...
Side 146
... greater poetry . I say nothing of Shakespeare , because the sublimity ( the divinity , let it be , if nothing else will serve ) of his genius kept no certain route , but rambled at hazard into all the regions of human life and manners ...
... greater poetry . I say nothing of Shakespeare , because the sublimity ( the divinity , let it be , if nothing else will serve ) of his genius kept no certain route , but rambled at hazard into all the regions of human life and manners ...
Side 219
... greater service to æsthetic theory in recognizing the sublime as an aesthetic category distinct from beauty , and in making a psychological analysis of the sentiment it inspires . Addison ( see p . 98 above ) and Hutcheson had , indeed ...
... greater service to æsthetic theory in recognizing the sublime as an aesthetic category distinct from beauty , and in making a psychological analysis of the sentiment it inspires . Addison ( see p . 98 above ) and Hutcheson had , indeed ...
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The Character of the Eighteenth Century and the Place | 11 |
The Evolution of Taste 171060 | 24 |
The Second Half of the Century | 39 |
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Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1952 |
Taste and Criticism in the Eighteenth Century: A Selection of Texts ... H. A. Needham Utdragsvisning - 1952 |
Vanlige uttrykk og setninger
Addison admiration æsthetic affect ancient appear architecture Aristotle artistic Burke called Charles Gildon classical colours criticism delight doctrine drama Dryden EDMUND BURKE eighteenth century emotion endeavour England English enthusiasm especially Essay expression faculty Faerie Queene fancy French garden genius George Farquhar Gothic Gothic architecture Grande Chartreuse harmony Homer Horace Walpole Hurd ideas of beauty images imagination imitation John Dennis Johnson JOSEPH ADDISON Joseph Warton judgment kind landscape letters literary literature London manner Milton mind modern moral Nature neo-classic never objects observed original painter painting Palladian passions perfection period philosopher picturesque play pleasing poem poet poetic poetry Pope Pope's preface to Shakespeare principles produce qualities reason Reynolds Rococo Romantic rules of art scenes sense of beauty Shaftesbury Shakespeare Spectator style sublime taste theory things Thomas Warton thought tion tragedy truth unity Uvedale Price variety Warton word writing