Byron: A Collection of Critical EssaysPaul West Prentice-Hall, 1963 - 175 sider In this volume, some of the foremost writers and critics of our time interpret Byron's work and personality, emphasizing the inseparable link between the artist and the man. |
Inni boken
Resultat 1-3 av 23
Side 65
... Beppo , which he intended as a surprise for his publisher Murray and his public . In the summer of 1817 , in Venice , while Byron was engaged with the serious grandiloquence and the ambitious medita- tions of Canto IV of Childe Harold ...
... Beppo , which he intended as a surprise for his publisher Murray and his public . In the summer of 1817 , in Venice , while Byron was engaged with the serious grandiloquence and the ambitious medita- tions of Canto IV of Childe Harold ...
Side 66
... Beppo was something new for Byron , as he boasted in his correspondence . For the first time he tried his trick of abruptly contrasting the tone within and between related sections , as he very effectively did when he mingled his serio ...
... Beppo was something new for Byron , as he boasted in his correspondence . For the first time he tried his trick of abruptly contrasting the tone within and between related sections , as he very effectively did when he mingled his serio ...
Side 73
... Beppo . " Byron's well - known scruple about factual accuracy accounted for his insistence on phrasing that was precisely appropriate for his subject . Laura , Beppo , and the Count thus [ rowed ] [ glided ] floated in their gon- dola ...
... Beppo . " Byron's well - known scruple about factual accuracy accounted for his insistence on phrasing that was precisely appropriate for his subject . Laura , Beppo , and the Count thus [ rowed ] [ glided ] floated in their gon- dola ...
Innhold
INTRODUCTIONPaul West | 1 |
THE TWO ETERNITIES 1939G Wilson Knight | 31 |
METAMORPHOSES OF SATAN 1933Mario Praz | 42 |
Opphavsrett | |
8 andre deler vises ikke
Andre utgaver - Vis alle
Vanlige uttrykk og setninger
Adeline alliteration Annabella aristocratic Augustan become Beppo Botherby Byronic hero Canto century character Childe Harold Coleridge comic Corsair couplet death Doge Don Juan draft dramatic edited effect emotional English epic essay eternity eyes F. R. Leavis fact fair copy farce feeling force Giaour guilt Gulbeyaz Guy Steffan Haidée Haidée's hate heart Helen Gardner hero human imitation irony John Wain Juan's Keats kind Lady Lambro later letter literary lives Lord Byron Manfred manner Marino Faliero Mario Praz matrix stanzas Milton mind moral nature never o'er octave ottava rima passage passion phrase Pierpont Morgan plays poem poet poetic poetry Pope Professor Steffan revision rhetorical rhyme rhythm rhythmical romantic Sardanapalus Satan satiric satirist seems sense sentimental Shelley spirit stanzas stunts style Suwarrow T. S. Eliot theme thing thou thought tion tone verse Wain Wilson Knight women words Wordsworth writing written