Byron: A Collection of Critical EssaysPaul West Prentice-Hall, 1963 - 175 sider In this volume, some of the foremost writers and critics of our time interpret Byron's work and personality, emphasizing the inseparable link between the artist and the man. |
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Side 69
... thought sig- nificant enough to be injected into a completed first draft ? What creative force or caprice of expansion was at work ? How were the new stanzas fitted into their context and what did they contribute ? Their special isola ...
... thought sig- nificant enough to be injected into a completed first draft ? What creative force or caprice of expansion was at work ? How were the new stanzas fitted into their context and what did they contribute ? Their special isola ...
Side 108
... thought , his conception of experience , and his evaluation of particular motive and social action . Although his desul- tory rhyme , his conversational facility , and his easy colloquialism were natural talents and could become a ...
... thought , his conception of experience , and his evaluation of particular motive and social action . Although his desul- tory rhyme , his conversational facility , and his easy colloquialism were natural talents and could become a ...
Side 152
... thought there is criticism of the government of the world , which , when it goes deep enough , takes the form of Titanic cosmic self - assertion or , in those who retain some superstition , of Satanism . Both are to be found in Byron ...
... thought there is criticism of the government of the world , which , when it goes deep enough , takes the form of Titanic cosmic self - assertion or , in those who retain some superstition , of Satanism . Both are to be found in Byron ...
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INTRODUCTIONPaul West | 1 |
THE TWO ETERNITIES 1939G Wilson Knight | 31 |
METAMORPHOSES OF SATAN 1933Mario Praz | 42 |
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Adeline alliteration Annabella aristocratic Augustan become Beppo Botherby Byronic hero Canto century character Childe Harold Coleridge comic Corsair couplet death Doge Don Juan draft dramatic edited effect emotional English epic essay eternity eyes F. R. Leavis fact fair copy farce feeling force Giaour guilt Gulbeyaz Guy Steffan Haidée Haidée's hate heart Helen Gardner hero human imitation irony John Wain Juan's Keats kind Lady Lambro later letter literary lives Lord Byron Manfred manner Marino Faliero Mario Praz matrix stanzas Milton mind moral nature never o'er octave ottava rima passage passion phrase Pierpont Morgan plays poem poet poetic poetry Pope Professor Steffan revision rhetorical rhyme rhythm rhythmical romantic Sardanapalus Satan satiric satirist seems sense sentimental Shelley spirit stanzas stunts style Suwarrow T. S. Eliot theme thing thou thought tion tone verse Wain Wilson Knight women words Wordsworth writing written