Shakespeare Criticism from the Beginnings to L765: Six Lectures Delivered at the Presidency College Under the Auspices of the University of MadrasBlackie & son limited, 1932 - 85 sider |
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Side 11
... comedy , explained in the prologue , are derived from classical comedy ; and in their emphasis on the three unities , the unity of tone , the sedulous exclusion of the tragic or the interlacing of the two , in the truth to life , i.e. ...
... comedy , explained in the prologue , are derived from classical comedy ; and in their emphasis on the three unities , the unity of tone , the sedulous exclusion of the tragic or the interlacing of the two , in the truth to life , i.e. ...
Side 32
... comedy , although , apparently because of inferior acting , Falstaff does not delight him . Hamlet he admired always , especially when the hero was impersonated by the great actor , Betterton . " Hamlet , Prince of Denmark , done with ...
... comedy , although , apparently because of inferior acting , Falstaff does not delight him . Hamlet he admired always , especially when the hero was impersonated by the great actor , Betterton . " Hamlet , Prince of Denmark , done with ...
Side 82
... comedy . Curiously Johnson fails to appreciate the tragedies . They are , he thinks , written with great appearance of toil and study and with little felicity . But his comic scenes have suffered so little by the lapse of time . " The ...
... comedy . Curiously Johnson fails to appreciate the tragedies . They are , he thinks , written with great appearance of toil and study and with little felicity . But his comic scenes have suffered so little by the lapse of time . " The ...
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Addison admiration ancient Aristotle Beaumont and Fletcher Ben Jonson bethan Betterton BLACKIE C. H. HERFORD character classical comic contemporary Corneille critic of Shakespeare Davenant drama dramatist Dryden edition of Shakespeare editor Elizabethan age Elizabethan writers emendation England English Essay excellent Falstaff faults Folio genius of Shakespeare genuine Hamlet Henry Herford history of Shakespeare honour human humour humour comedies interesting Johnson Julius Cæsar Last Age Lear learned LECTURE literary literature manner master Milton modern nature neo-classicism notes observation Othello Pepys plays of Shakespeare poem poet poetry Pope Pope's praises Shakespeare preface Presidency College Professor prologue published references to Shakespeare rehandling remarks Restoration romantic comedies rules Rymer says scenes Seneca the Elder sense seventeenth century Shake Shakespeare criticism Shakespeare's genius Shakespeare's language Shakespeare's plays Shakespeare's reputation singularly speare speare's stage Stratford taste Tempest theatre Theobald three unities tion tragedy unities verse Voltaire Warton writings wrote