Shakespeare Criticism from the Beginnings to L765: Six Lectures Delivered at the Presidency College Under the Auspices of the University of MadrasBlackie & son limited, 1932 - 85 sider |
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Side 44
... language . Here Dryden must be judged from the historic point of view . The extravagances and the superfluities of ex- pression were during the period rigidly excluded ; and terseness , clearness and simplicity , correctness , in short ...
... language . Here Dryden must be judged from the historic point of view . The extravagances and the superfluities of ex- pression were during the period rigidly excluded ; and terseness , clearness and simplicity , correctness , in short ...
Side 75
... language difficult . Shakespeare has more allusions , says Johnson , than other poets . to the traditions and superstitions of the vulgar - which must therefore be traced before he can be understood- a critical seed which , as Bailey ...
... language difficult . Shakespeare has more allusions , says Johnson , than other poets . to the traditions and superstitions of the vulgar - which must therefore be traced before he can be understood- a critical seed which , as Bailey ...
Side 76
... language could always be illustrated by comparison with that of contemporary writers . Coleridge , to whose genius we owe so much of our discerning enjoyment of Shakespeare , thought it was idle to endeavour to support Shakespeare's ...
... language could always be illustrated by comparison with that of contemporary writers . Coleridge , to whose genius we owe so much of our discerning enjoyment of Shakespeare , thought it was idle to endeavour to support Shakespeare's ...
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Addison admiration ancient Aristotle Beaumont and Fletcher Ben Jonson bethan Betterton BLACKIE C. H. HERFORD character classical comic contemporary Corneille critic of Shakespeare Davenant drama dramatist Dryden edition of Shakespeare editor Elizabethan age Elizabethan writers emendation England English Essay excellent Falstaff faults Folio genius of Shakespeare genuine Hamlet Henry Herford history of Shakespeare honour human humour humour comedies interesting Johnson Julius Cæsar Last Age Lear learned LECTURE literary literature manner master Milton modern nature neo-classicism notes observation Othello Pepys plays of Shakespeare poem poet poetry Pope Pope's praises Shakespeare preface Presidency College Professor prologue published references to Shakespeare rehandling remarks Restoration romantic comedies rules Rymer says scenes Seneca the Elder sense seventeenth century Shake Shakespeare criticism Shakespeare's genius Shakespeare's language Shakespeare's plays Shakespeare's reputation singularly speare speare's stage Stratford taste Tempest theatre Theobald three unities tion tragedy unities verse Voltaire Warton writings wrote