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ON THE REMOVAL OF THE ROYAL ACADEMY TO SOMERSET-PLACE. THE ADVANTAGES TO SOCIETY FROM
CULTIVATING INTELLECTUAL PLEASURE.
Ihe honour which the Arts acquire by being permitted to take possession of this noble habitation, is one of the most considerable of the many instances we have received of His Majesty's protection; and the strongest proof of his desire to make the Academy respectable.
Nothing has been left undone, that might contribute to excite our pursuit, or to reward our attainments. We have already the happiness of seeing the Arts in a state to which they never before arrived in this nation. This Building, in which we are now assembled, will remain to many future ages an illustrious specimen of the Architect's* abilities. It is our duty to endeavour that those who gaze with wonder at the structure, may not be disappointed when they visit the apartments. It will be no small addition to the glory which this nation has already acquired from having given birth to eminent men in every part of science, if it should be enabled to produce, in consequence of this institution, a School of English Artists. The estimation in which we stand in respect to our neighbours, will be in proportion to the degree in which we excel or are inferior to them in the acquisition of intellectual excellence, of which Trade and its consequential riches must be acknowledged to give the means; but a people whose whole attention is absorbed in those means, and who forget the end, can aspire but little above the rank of a barbarous nation. Every establishment that tends" to the cultivation of the pleasures of the mind, as distinct from those of sense, maybe considered as an inferior school of morality, where the mind is polished and prepared for higher attainments.
Let us for a moment take a short survey of the progress of the mind towards what is, or ought to be, its true object of attention. Man, in his lowest state, has no pleasures but those of sense, and no wants but those of appetite; afterwards, when society is divided into different ranks, and some are appointed to labour for the support of others, those whom their superiority sets free from labour, begin to look for intellectual entertainments. Thus, whilst the shepherds were attending their flocks, their masters made the first astronomical observations; so musick is said to have had its origin from a man at leisure listening to the strokes of a hammer. As the senses, in the lowest state of nature, are necessary to direct us to our support, when that support is once secure there is danger in following them further; to him who has no rule of action but the gratification of the senses, plenty is always dangerous: it is therefore necessary to the happiness of individuals, and still more necessary to the security of society, that the mind should be elevated to the idea of general beauty, and the contemplation of general truth; by this pursuit the mind is always carried forward in search of something more excellent than it finds, and obtains its proper superiority over the common senses of life, by learning to feel itself capable of higher aims and nobler enjoyments. In this gradual exaltation of human nature, every art contributes its contingent towards the general supply of mental pleasure. Whatever abstracts the thoughts from sensual gratifications, whatever teaches us to look for happiness within ourselves, must advance in some measure the dignity of our nature. Perhaps there is no higher proof of the excellency of man than this,—that to a mind properly cultivated whatever is bounded is little. The mind is continually labouring to advance, step by step, through successive gradations of excellence, towards perfection, which is dimly seen, at a great though not hopeless distance, and which we must always follow because we never can attain; but the pursuit rewards itself; one truth teaches another, and our store is always increasing, though nature can never be