Handbook of Hispanic Cultures in the United States: Literature and ArtNicolàs Kanellos, Claudia Esteva-Fabregat, Francisco LomelÕ Arte Publico Press, 1. jan. 1993 - 412 sider Recovering the U.S. Hispanic Literary Project is a national project to locate, identify, preserve and make accessible the literary contributions of U.S. Hispanics from colonial times through 1960 in what today comprises the fifty states of the United States. |
Innhold
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Conclusion | 207 |
Books and Catalogues | 217 |
Form and Content | 218 |
Origins of Hispanic Oral Traditions | 219 |
Mexican American Oral Traditions | 220 |
Prose Narrative | 226 |
SocioPolitical and Cultural Implications | 228 |
Folk Speech | 230 |
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History | 42 |
The Nineteenth Century | 46 |
The Exile Novelists | 47 |
The Mariel Novelists | 48 |
The Cuban American Novelists | 49 |
The Nineteenth Century | 50 |
The Twentieth Century The AvantGarde | 52 |
The Origenes Generation | 53 |
El Puente and the Conservatives | 56 |
The Mariel Group | 57 |
The Atrevidos Group | 58 |
Select Bibliography General Reference | 59 |
Theater | 60 |
Poetry | 61 |
Process and Meaning 15391959 | 62 |
Colonial Literature 15421810 | 63 |
Toward Literary Autonomy 18101848 | 68 |
Territorial Literature 18481912 | 70 |
Mexican American Literature 19121959 | 76 |
Colonial Literature 15421820 | 83 |
Toward Literary Autonomy 18101848 | 84 |
Mexican American Literature 19121959 | 85 |
From Oblivion to Affirmation to the Forefront Introduction | 86 |
A Crossroads of Reclaiming a Literary Past | 87 |
Breaking Social Barriers | 89 |
Cultural Nationalism as a Literary Impulse | 91 |
Ideology Versus Craft | 95 |
The Isolated Generation | 97 |
From Diversification to Postmodernity | 100 |
Conclusion | 106 |
Aesthetic Concepts of Hispanics in the United States | 109 |
Puerto Rican Aesthetic Concepts | 123 |
CubanAmerican Aesthetic Concepts | 128 |
Bibliography | 131 |
Chicana Cuban American and Puerto Rican Voices | 134 |
Geography | 135 |
Gender | 143 |
Genre | 152 |
Bibliography Primary Sources | 160 |
Secondary Sources | 161 |
The Literary Language of United States Hispanics | 163 |
Bilingualism and Bidialectalism in U S Hispanic Speech | 165 |
Multiculturalism and CodeSwitching in U S Hispanic Literary Language | 166 |
Its Beginnings and Extent | 169 |
Ethnic Relationships in Contemporary U S Hispanic Literature | 172 |
of U S Hispanic Literary Language | 178 |
CodeSwitching for Characterization | 179 |
Imagery | 180 |
Conclusion | 183 |
Bibliography | 186 |
Contemporary U S Hispanic Authors | 187 |
Bibliographies | 188 |
The Panorama of Latino Art | 192 |
Chicano Art History and Development | 194 |
19681978 | 195 |
19781990 | 196 |
Muralism | 197 |
Gallery Art | 198 |
Ritual and Myth | 199 |
Exile and Cuban Art | 204 |
Other Exiles and Expatriates | 206 |
Proverbs and Proverbial Expressions | 231 |
Folk Theater | 232 |
Riddles | 233 |
Folk Belief and Folk Medicine | 234 |
Puerto Rican Folklore | 235 |
Arawak Mythology | 236 |
The Spanish Presence | 237 |
Cuban American Folklore | 239 |
The Oral Tradition | 240 |
Popular Music | 242 |
Introduction | 243 |
Childrens Songs and Games | 244 |
Folksongs | 245 |
Cuban American Folklore | 247 |
Brief History of Hispanic Theater in the United States | 248 |
New York City | 255 |
Tampa | 258 |
1940 to the Present The Southwest | 260 |
New York | 263 |
Florida | 266 |
Bibliography | 267 |
Legend for the Future | 268 |
A Perfectible Vision of Citizenship | 275 |
Epistemic Literacy | 276 |
Ethnicity | 277 |
Bibliography | 288 |
Hispanic and AfroHispanic Music in the United States | 291 |
The Corrido and CancionCorrido | 292 |
The TexasMexican Conjunto | 298 |
The Mexican American Orquesta | 300 |
Salsa | 305 |
Latin JazzRock | 309 |
Conclusion | 310 |
Bibliography | 311 |
Latino Cinema | 312 |
Chicano Cinema | 314 |
Puerto Rican Cinema | 326 |
Cuban Cinema | 328 |
Conclusions | 330 |
Bibliography | 332 |
Hispanic Exile in the United States | 333 |
From Uprooting to the Refoundation of a HistoricalCultural Identity | 337 |
Puerto Rican Immigration in the United States and Its Cultural Statute | 342 |
The Cuban Exile | 346 |
The Spanish Exile | 349 |
The South American Exile | 350 |
Conclusion | 354 |
Chicanos | 357 |
Puertorriqueños | 358 |
Cubanos | 359 |
of the United States Newspapers and Periodicals | 360 |
Problems and Approaches in Studying the SpanishLanguage Press in the United States | 361 |
Newspaper Prototypes in Mexico | 363 |
Texas and Louisiana 18081813 | 364 |
The Press of New Mexico | 365 |
The Press of Arizona | 366 |
The Press During the Mexican Revolution | 368 |
Spanish Immigrants and Their Press | 369 |
Puerto Ricans and Their Press | 370 |
Chicano and Latino Press in the Midwest | 371 |
The Latino Press from the 1930s to the 1950s | 372 |
The Post I960 Latino Press | 374 |
Conclusion | 379 |
Bibliography | 380 |
Contributors | 385 |
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Handbook of Hispanic Cultures in the United States Nicolás Kanellos,Claudio Esteva Fabregat Ingen forhåndsvisning tilgjengelig - 1993 |
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aesthetic Alurista Ana Castillo Angeles Anglo Arte Público artists autobiography and biography Aztlán barrio bilingual bimusical California cano century Chicano literature Chicano Movement Chicano Poetry cinema City code-switching contemporary corrido critics Cuba Cuban American Cuentos cultural decade English essay ethnic example exile experience Fernández film Folklore Francisco García genre Hispanic Hispanic autobiography Hispanic literature Houston ican identity immigrants important island José Juan La Llorona language Latin American literary Llorona Lomelí Luis Luis Valdez María Mexican American Mexico Miami Miguel Miguel Piñero movement murals narrative newspapers North American novel Nuevo Nuyorican orquesta Paredes play poem poet poetic poetry political popular produced published Puerto Rican Puerto Rican literature Revista Rico Río Rodríguez salsa Sánchez santería social society Southwest Spanish Spanish-language style symbol Taíno Teatro Texas theater theme tion tradition U. S. Hispanic United voice woman women writers York
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