Hellas, a lyrical dramaLondon, 1822 |
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Side 10
... slaves , enfeeble each other until one or both fall into its net . The wise and generous policy of England would have consisted in establishing the independ- ence of Greece , and in maintaining it both against Russia and the Turk1 ...
... slaves , enfeeble each other until one or both fall into its net . The wise and generous policy of England would have consisted in establishing the independ- ence of Greece , and in maintaining it both against Russia and the Turk1 ...
Side 12
... Buxton Forman. DRAMATIS PERSONE . MAHMUD . HASSAN . DAOOD . AHASUERUS , a Jew . Chorus of Greek Captive Women . Messengers , Slaves , and Attendants . SCENE , Constantinople . TIME , Sunset . HELLAS A LYRICAL DRAMA . Scene , a Terrace on.
... Buxton Forman. DRAMATIS PERSONE . MAHMUD . HASSAN . DAOOD . AHASUERUS , a Jew . Chorus of Greek Captive Women . Messengers , Slaves , and Attendants . SCENE , Constantinople . TIME , Sunset . HELLAS A LYRICAL DRAMA . Scene , a Terrace on.
Side 29
... Slaves , Render yourselves - they have abandoned you— What hope of refuge , or retreat , or aid ? 380 386 We grant your lives . " " Grant that which is thine own ! " Cried one , and fell upon his sword and died ! Another " God , and man ...
... Slaves , Render yourselves - they have abandoned you— What hope of refuge , or retreat , or aid ? 380 386 We grant your lives . " " Grant that which is thine own ! " Cried one , and fell upon his sword and died ! Another " God , and man ...
Side 36
... slaves ! ( Enter second Messenger . ) SECOND MESSENGER . Nauplia , Tripolizza , Mothon , Athens , Navarin , Artas , Monembasia , Corinth and Thebes are carried by assault , 545 And every Islamite who made his dogs Fat with the flesh of ...
... slaves ! ( Enter second Messenger . ) SECOND MESSENGER . Nauplia , Tripolizza , Mothon , Athens , Navarin , Artas , Monembasia , Corinth and Thebes are carried by assault , 545 And every Islamite who made his dogs Fat with the flesh of ...
Side 38
... slaves , -in this case , I believe , selected virgins sent annually to the harem of the Sultan . 610 615 2 In the first edition , prophecyings , with a c . See Shelley's note ( 5 ) at the end of the poem . The last news from the camp is ...
... slaves , -in this case , I believe , selected virgins sent annually to the harem of the Sultan . 610 615 2 In the first edition , prophecyings , with a c . See Shelley's note ( 5 ) at the end of the poem . The last news from the camp is ...
Andre utgaver - Vis alle
Vanlige uttrykk og setninger
1839 and onwards AHASUERUS Anarchs apprehend Beneath blazoned blood Bosphorus bright burst CHORUS Chorus line Christian clouds comma DAOOD dead DEATH OF NAPOLEON despair DORSET STREET drama dream dust earth earthquake edition we read editions of 1839 empire end of line exclama faint faith fear fiery fled fleet foam folding star full-stop Gisborne glory gold grave Grecian Greece Greek HASSAN hear heart Heaven Hellas hope hour immortal isles kill leave light live LYRICAL MAHMUD MESSENGER misprint mistakes moon mountains Nauplia night o'er oblivion ocean omitted oppressors pale phantoms Pisa poem poet rebel Rossetti ruin Saturn and Love SECOND MESSENGER SEMICHORUS SEMICHORUS II shadows Shel Shelley substitutes Shelley's edition Shelley's first edition Shelley's note shout shrieks slaves sleep spirit splendour storm Sublime tears tempest thee thine Thou art thought thousand thunder tion tremble tyrant Victory Voice wake WALLACHIA weak weep wind word wreck
Populære avsnitt
Side 9 - The human form and the human mind attained to a perfection in Greece which has impressed its image on those faultless productions, whose very fragments are the despair of modern art, and has propagated impulses which cannot cease, through a thousand channels of manifest or imperceptible operation, to ennoble and delight mankind until the extinction of the race.
Side 22 - A power from the unknown God; A Promethean conqueror came ; Like a triumphal path he trod The thorns of death and shame. A mortal shape to him Was like the vapour dim Which the orient planet animates with light; Hell, Sin, and Slavery came, Like bloodhounds mild and tame, Nor preyed until their lord had taken flight.
Side 59 - Oh, cease ! must hate and death return ? Cease! must men kill and die? Cease! drain not to its dregs the urn Of bitter prophecy. The world is weary of the past, Oh, might it die or rest at last ! NOTES 'The quenchless ashes of Milan
Side 58 - Where fairer Tempes bloom, there sleep Young Cyclads on a sunnier deep. A loftier Argo cleaves the main, Fraught with a later prize; Another Orpheus sings again, And loves, and weeps, and dies. A new Ulysses leaves once more Calypso for his native shore.
Side 58 - The world's great age begins anew, The golden years return, The earth doth like a snake renew Her winter weeds outworn : Heaven smiles, and faiths and empires gleam Like wrecks of a dissolving dream.
Side 46 - Atlantic clouds — this Whole Of suns and worlds and men and beasts and flowers. With all the silent or tempestuous workings By which they have been, are, or cease to be, Is but a vision; — all that it inherits Are motes of a sick eye, bubbles and dreams: Thought is its cradle and its grave; nor less The future and the past are idle shadows Of thought's eternal flight — they have no being; Nought is but that which feels itself to be.
Side 21 - Worlds on worlds are rolling ever From creation to decay, Like the bubbles on a river Sparkling, bursting, borne away. But they are still immortal Who, through birth's orient portal And death's dark chasm hurrying to and fro. Clothe their unceasing flight In the brief dust and light Gathered around their chariots as they go...
Side 22 - Swift as the radiant shapes of sleep From one whose dreams are Paradise Fly, when the fond wretch wakes to weep, And day peers forth with her blank eyes; So fleet, so faint, so fair, The Powers of earth and air Fled from the...
Side 60 - The popular notions of Christianity are represented in this chorus as true in their relation to the worship they superseded, and that which in all probability they will supersede, without considering their merits in a relation more universal.
Side 7 - THE poem of Hellas, written at the suggestion of the events of the moment, is a mere improvise, and derives its interest (should it be found to possess any) solely from the intense sympathy which the Author feels with the cause he would celebrate.