Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 sider |
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Side 4
... called the passions . These are admiration , love , hate , desire , joy and sorrow . other reactivities were derivatives of these . Bain , 15 likewise , outlined eleven categories , which , however , were called emotions . Mercier16 out ...
... called the passions . These are admiration , love , hate , desire , joy and sorrow . other reactivities were derivatives of these . Bain , 15 likewise , outlined eleven categories , which , however , were called emotions . Mercier16 out ...
Side 124
... called the theorists of the " conscious manipula- tion of grammatical order for the farthest reach of meaning " . ( Abhihitanvaya Vadins ) . It is true that , in a very profound and very generalised sense , suggestion is purport , for ...
... called the theorists of the " conscious manipula- tion of grammatical order for the farthest reach of meaning " . ( Abhihitanvaya Vadins ) . It is true that , in a very profound and very generalised sense , suggestion is purport , for ...
Side 144
... called Dhvani - Kavya , poetry of resonance , because the suggested sense ( Vyangyartha ) is " echoed " perfectly in this class of poetry . Visvanatha88 confirms this as the etymology of the term here beauty resides in the suggested ...
... called Dhvani - Kavya , poetry of resonance , because the suggested sense ( Vyangyartha ) is " echoed " perfectly in this class of poetry . Visvanatha88 confirms this as the etymology of the term here beauty resides in the suggested ...
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THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote