Metrical Principles of English Poetry: A Course of Lectures by Professor Ruth WallersteinUniversity of Wisconsin--Madison, 1961 - 448 sider |
Inni boken
Resultat 1-3 av 19
Side 9
... follow with a normal measure . If we say , " clad in arms , we have thrown the line out of kilter , for we no longer have the same double rising rhythm . We get / when we have x x / following it . It takes the two together to give a ...
... follow with a normal measure . If we say , " clad in arms , we have thrown the line out of kilter , for we no longer have the same double rising rhythm . We get / when we have x x / following it . It takes the two together to give a ...
Side 31
... follow , and he had to have a certain narrative freedom . Blank verse has larger units of thought and smaller units of phrase than the sonnet . Then there was the problem of not having any rhyme to help him . He places the empha- sis on ...
... follow , and he had to have a certain narrative freedom . Blank verse has larger units of thought and smaller units of phrase than the sonnet . Then there was the problem of not having any rhyme to help him . He places the empha- sis on ...
Side 144
... follow through quite so simply in the English ode . To call a fairly simple repeated stanza Horatian , and an elaborate one Pindaric is a useful distinction , but one also has to think about the treatment of the subject matter . Gray's ...
... follow through quite so simply in the English ode . To call a fairly simple repeated stanza Horatian , and an elaborate one Pindaric is a useful distinction , but one also has to think about the treatment of the subject matter . Gray's ...
Vanlige uttrykk og setninger
accent alliteration anapest balance beauty beginning blank verse caesura canzone combination consonants contrast couplet create developed dipodic dissyllables distinctive Donne Donne's Dryden Dunciad effect elements Eliot emphasis end-stopped English verse epic falling rhythm feeling formal free verse Gerard Manley Hopkins gives a sense Greek half-line Hopkins individual lines inversion last line length light logic lyric madrigal ment meter metrical pattern metrists Milton Miss Wallerstein monosyllables move movement ottava rima paragraph passage pause pentameter phrase Pindaric play poem poetry poets polysyllables Pope prose Prosody repeated repetition rhetoric rhyme words run-on line scansion sestina Shakespeare short lines single line song sonnet speech Spenser spondees sprung rhythm stressed syllable strong structure suggests suppressed beat syllable T. S. Eliot Tamburlaine Tennyson tension tetrameter thee theory thing thou thought tion tradition tremendous trimeter triple falling triple rising rhythm unstressed variation vowels weight whole