Metrical Principles of English Poetry: A Course of Lectures by Professor Ruth WallersteinUniversity of Wisconsin--Madison, 1961 - 448 sider |
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Side xx
... notes , or , to represent the iambus , one eighth and one half note , the accent being on the second . This meant that he did not progress much further in quantitative analysis than to substitute the term 3 - rhythm for the iambus But ...
... notes , or , to represent the iambus , one eighth and one half note , the accent being on the second . This meant that he did not progress much further in quantitative analysis than to substitute the term 3 - rhythm for the iambus But ...
Side xxxviii
... notes , whenever possible comparing at least two sets of notes . Some questionable phrases remain , but I have not wanted to tamper with the material for fear of making bad readings worse . disposal I have done as much editing of this ...
... notes , whenever possible comparing at least two sets of notes . Some questionable phrases remain , but I have not wanted to tamper with the material for fear of making bad readings worse . disposal I have done as much editing of this ...
Side 21
... notes . " Absent thee from felicity awhile " has the long i . They used high notes and polysyllables to suggest the beatific vision ; lower notes , monosyllables , and a harsh combination of consonants to suggest the darkness of the ...
... notes . " Absent thee from felicity awhile " has the long i . They used high notes and polysyllables to suggest the beatific vision ; lower notes , monosyllables , and a harsh combination of consonants to suggest the darkness of the ...
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accent alliteration anapest balance beauty beginning blank verse caesura canzone combination consonants contrast couplet create developed dipodic dissyllables distinctive Donne Donne's Dryden effect elements Eliot emphasis end-stopped English verse epic falling rhythm feeling formal free verse gives a sense Greek half-line Hopkins individual lines inversion last line length light logic lyric madrigal ment meter metrical pattern metrists Milton Miss Wallerstein monosyllables move movement ottava ottava rima paragraph passage pause pentameter phrase Pindaric play poem poetry poets polysyllables Pope prose Prosody repeated repetition rhetoric rhyme words run-on line scansion sestina Shakespeare short lines single line song sonnet Sonnet 16 speech Spenser spondees sprung rhythm stress strong structure suggests suppressed beat syllable T. S. Eliot Tamburlaine Tennyson tension tetrameter thee theory thing thou thought tion tradition tremendous trimeter triple falling triple rising rhythm unstressed syllables variation vowels weight whole