Metrical Principles of English Poetry: A Course of Lectures by Professor Ruth WallersteinUniversity of Wisconsin--Madison, 1961 - 448 sider |
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Side 113
... stanza effect that would concentrate its masculine force on the couplet as Jonson developed it . But on the other hand , the Renaissance poets often wanted a great expansion . There were very rich medieval stanzas which had these ...
... stanza effect that would concentrate its masculine force on the couplet as Jonson developed it . But on the other hand , the Renaissance poets often wanted a great expansion . There were very rich medieval stanzas which had these ...
Side 122
... stanza but with an Alexandrine at the close . Words- worth showed great tact in not using the Spenserian stanza , which would have overlengthened the movement he wanted . He gets concentrated ele- ments in description rather than the ...
... stanza but with an Alexandrine at the close . Words- worth showed great tact in not using the Spenserian stanza , which would have overlengthened the movement he wanted . He gets concentrated ele- ments in description rather than the ...
Side 136
... stanza 1 ) Tennyson did not create the In Memoriam stanza , but he used it perfectly . It was created in the period of forms , the seventeenth cen- tury , and was used by Jonson . The meter , which is tetrameter , and the rhyme , which ...
... stanza 1 ) Tennyson did not create the In Memoriam stanza , but he used it perfectly . It was created in the period of forms , the seventeenth cen- tury , and was used by Jonson . The meter , which is tetrameter , and the rhyme , which ...
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accent alliteration anapest balance beauty beginning blank verse caesura canzone combination consonants contrast couplet create developed dipodic dissyllables distinctive Donne Donne's Dryden Dunciad effect elements Eliot emphasis end-stopped English verse epic falling rhythm feeling formal free verse Gerard Manley Hopkins gives a sense Greek half-line Hopkins individual lines inversion last line length light logic lyric madrigal ment meter metrical pattern metrists Milton Miss Wallerstein monosyllables move movement ottava rima paragraph passage pause pentameter phrase Pindaric play poem poetry poets polysyllables Pope prose Prosody repeated repetition rhetoric rhyme words run-on line scansion sestina Shakespeare short lines single line song sonnet speech Spenser spondees sprung rhythm stressed syllable strong structure suggests suppressed beat syllable T. S. Eliot Tamburlaine Tennyson tension tetrameter thee theory thing thou thought tion tradition tremendous trimeter triple falling triple rising rhythm unstressed variation vowels weight whole