The Rhetorical Reader: Consisting of Instructions for Regulating the Voice : with a Rhetorical Notation, Illustrating Inflection, Emphasis, and Modulation; : and a Course of Rhetorical Exercises. : Designed for the Use of Academies and High-schoolsFlagg & Gould, 1832 - 304 sider |
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Side viii
... five min- utes , is better than one of fifteen ; and more advance may be made , in managing the voice and countenance , by speak- ing several times , a short speech , though an old one , ( if it is done with due care each time to ...
... five min- utes , is better than one of fifteen ; and more advance may be made , in managing the voice and countenance , by speak- ing several times , a short speech , though an old one , ( if it is done with due care each time to ...
Side 18
... Five characters in music , and six vowels in writing , enter into an infinitude of combinations in melody and language . So the elemen- tary modifications of voice in speaking , are few , and easily understood ; and to mark them , so ...
... Five characters in music , and six vowels in writing , enter into an infinitude of combinations in melody and language . So the elemen- tary modifications of voice in speaking , are few , and easily understood ; and to mark them , so ...
Side 25
... five syllables , as Walker directs in these words rèceptacle , pèremptorily , acceptableness . While these com binations almost defy the best organs of speech , no one finds any difficulty in uttering words combined with a due ...
... five syllables , as Walker directs in these words rèceptacle , pèremptorily , acceptableness . While these com binations almost defy the best organs of speech , no one finds any difficulty in uttering words combined with a due ...
Side 27
... five or eight notes . The former may be called the common rising inflection , the latter the intensive . Just the same distinction exists in the falling inflection . In the question , uttered with surprise , " Are you going to - day ...
... five or eight notes . The former may be called the common rising inflection , the latter the intensive . Just the same distinction exists in the falling inflection . In the question , uttered with surprise , " Are you going to - day ...
Side 97
... five òther wand'ring Fires , that move In mystic dance , not without song , resound His praise , who out of darkness call'd up light . Air , and ye Elements , the eldest birth Of nature's womb , that in quaternion run 30 Perpetual ...
... five òther wand'ring Fires , that move In mystic dance , not without song , resound His praise , who out of darkness call'd up light . Air , and ye Elements , the eldest birth Of nature's womb , that in quaternion run 30 Perpetual ...
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The Rhetorical Reader: Consisting of Instructions for Regulating the Voice ... Ebenezer Porter Uten tilgangsbegrensning - 1838 |
The Rhetorical Reader: Consisting of Instructions for Regulating the Voice ... Ebenezer Porter Uten tilgangsbegrensning - 1854 |
Vanlige uttrykk og setninger
accent angel answer antithetic arms battle behold Beotia blessings Bossuet Bourdaloue circumflex colossal cavern cried dark dead death denote distinction dreadful earth elocution eloquence emotion emphasis emphatic series eternal examples EXERCISE expressed falling inflection falling slide father fault fear feeling fire flames give glory grave habits hand happiness hast hath head hear heard heart heaven Hispaniola hope horror Jesus live look Lord loud meaning mind never night o'er open vowels pause phatic Phocis principle question reader requires the falling rhetorical rising inflection rising slide Rolla say unto sense senseless things sentence shining instruments ship smile soul sound speak speaker spirit stand stood storm syllable tears tell tence thee thing thou thought throne thunder thy servant tion tones turn uttered voice vowel whole wife William Reed wind words