Art for the Nation: Exhibitions and the London Public, 1747-2001Manchester University Press, 1999 - 314 sider Art first became public in Britain through a series of interlocking relationships between national galleries, patrons, collections of art, and sections or classes of the population as a whole. This study concentrates on London, and analyzes the formation of the major national art institutions at its geographical and managerial centre. |
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Innhold
towards the Royal Academy of Arts | 1 |
the National Gallery 2580 67 | 29 |
South Kensington to St Martins Place | 67 |
the Millbank Tate | 100 |
an extension at the Tate Gallery | 132 |
Arts Council LCC and ICA | 167 |
the Hayward Gallery | 203 |
Bankside and beyond | 237 |
Andre utgaver - Vis alle
Art for the Nation: Exhibitions and the London Public, 1747-2001 Brandon Taylor Ingen forhåndsvisning tilgjengelig - 1999 |
Art for the Nation: Exhibitions and the London Public, 1747-2001 Brandon Taylor Ingen forhåndsvisning tilgjengelig - 1999 |
Vanlige uttrykk og setninger
aesthetic Alfred Munnings already April architecture Art Gallery Arts Council audience Barry Flanagan Bethnal Green Britain British art building cartoon catalogue centre Chantrey Bequest collection Contemporary Arts Courtauld Courtesy Illustrated London Courtesy Tate Gallery crowd culture Duveen England English exhibition Figure French Gallery of British Gallery's Graphic Hayward Gallery Henry Tate Hogarth House Illustrated London Institute John July June Keeper King Lane London News Picture Lord Lord D'Abernon MacColl Manson Matisse Millbank Millbank Prison Minutes of Evidence Modern Art Modern Foreign modernist Munnings National Gallery National Portrait Gallery opening painters paintings Pall Mall Photograph Picasso Picture Gallery political prison reform Report Reynolds rooms Rothenstein Royal Academy Ruskin Samuel Courtauld School sculpture Sheepshanks social Society of Arts South Bank South Kensington Museum St Martin's Street Tate Gallery Archive Tate's tion Trafalgar Square Trustees Turner visitors visual arts Whitechapel William
Referanser til denne boken
New Museum Theory and Practice: An Introduction Janet Marstine Ingen forhåndsvisning tilgjengelig - 2005 |
Grand Designs: Labor, Empire, and the Museum in Victorian Culture Lara Kriegel Begrenset visning - 2007 |