The Invisible Art of Film Music: A Comprehensive HistoryScarecrow Press, 1. jan. 1998 - 431 sider A comprehensive introduction to film music for the general student, the film historian, and the aspiring cinematographer. It is a historically structured account of the evolution of music in films. The book is arranged as a chronological survey and includes biographical sketches on many important film composers in addition to the development of the films themselves. |
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Side 28
... Oscar Hammerstein II , who were signed by Warner Bros. to compose four original screen operettas in 1930 - but these films ultimately met with little box - office success . 13 ARLY DRAMATIC FILM SCORES . By 1931 , the bottom fell out of ...
... Oscar Hammerstein II , who were signed by Warner Bros. to compose four original screen operettas in 1930 - but these films ultimately met with little box - office success . 13 ARLY DRAMATIC FILM SCORES . By 1931 , the bottom fell out of ...
Side 33
... OSCARS FOR MUSIC . It was in 1934 that the Motion Pic- THE Two new categories were added to the 1934 Oscar nominations : Best Song and Best Score . Unfortunately , the Academy citations failed to distinguish between original background ...
... OSCARS FOR MUSIC . It was in 1934 that the Motion Pic- THE Two new categories were added to the 1934 Oscar nominations : Best Song and Best Score . Unfortunately , the Academy citations failed to distinguish between original background ...
Side 36
... Oscar for 1935 , The Informer also won several awards , including Best Actor ( Victor McLaglen ) , Best Director ( John Ford ) , Best Screenplay ( Dudley Nichols ) , and Best Score ( Max Steiner ) . This was the first of three Oscars ...
... Oscar for 1935 , The Informer also won several awards , including Best Actor ( Victor McLaglen ) , Best Director ( John Ford ) , Best Screenplay ( Dudley Nichols ) , and Best Score ( Max Steiner ) . This was the first of three Oscars ...
Side 40
... Oscar for Best Score of 1936 , Leo Forbstein , the head of the Warner Bros. music department tried to give the Oscar to Korngold after the ceremony , but the composer politely refused to accept it.34 Only years later did this Oscar ...
... Oscar for Best Score of 1936 , Leo Forbstein , the head of the Warner Bros. music department tried to give the Oscar to Korngold after the ceremony , but the composer politely refused to accept it.34 Only years later did this Oscar ...
Side 42
... Oscar as Best Pic- ture of 1937. This marked the second consecutive year that a biographical film won the big prize ( following The Great Ziegfeld in 1936 ) . D IMITRI TIOMKIN : LOST HORIZON . For Lost Horizon Tiomkin com- posed his ...
... Oscar as Best Pic- ture of 1937. This marked the second consecutive year that a biographical film won the big prize ( following The Great Ziegfeld in 1936 ) . D IMITRI TIOMKIN : LOST HORIZON . For Lost Horizon Tiomkin com- posed his ...
Innhold
1 | |
5 | |
23 | |
59 | |
195059 The Decline of the Studio System | 113 |
196069 The Changing of the Guard | 173 |
197079 The Revival of the Symphonic Film Score | 223 |
198089 The Influence of Synthesized Sound | 277 |
199099 Into the 1990S | 335 |
Bibliography | 379 |
Filmography | 387 |
General Index | 403 |
Index of Titles | 405 |
Index of Names | 419 |
Andre utgaver - Vis alle
The Invisible Art of Film Music: A Comprehensive History Laurence E. MacDonald Begrenset visning - 1998 |
The Invisible Art of Film Music: A Comprehensive History Laurence E. MacDonald Begrenset visning - 2013 |
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