The Invisible Art of Film Music: A Comprehensive HistoryScarecrow Press, 1. jan. 1998 - 431 sider A comprehensive introduction to film music for the general student, the film historian, and the aspiring cinematographer. It is a historically structured account of the evolution of music in films. The book is arranged as a chronological survey and includes biographical sketches on many important film composers in addition to the development of the films themselves. |
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Side 10
... background music . At the Roxy , which he built and managed from 1927 to 1932 , he not only hired an orchestra but also had a five - manual Kimball theater organ installed . 14 Not every theater owner had Rothafel's taste ( or budget ) ...
... background music . At the Roxy , which he built and managed from 1927 to 1932 , he not only hired an orchestra but also had a five - manual Kimball theater organ installed . 14 Not every theater owner had Rothafel's taste ( or budget ) ...
Side 14
... background . As successful as the screening of Don Juan was , many members of the audience were even more impressed by a program of Vitaphone short sub- jects that preceded the film . These shorts featured a number of musical ...
... background . As successful as the screening of Don Juan was , many members of the audience were even more impressed by a program of Vitaphone short sub- jects that preceded the film . These shorts featured a number of musical ...
Side 15
... background score recorded by the Vitaphone Orchestra , conducted by Louis Silvers . Several vocal numbers sung by Jolson were interpolated into the picture . The background score , composed by Silvers , consists of original themes ...
... background score recorded by the Vitaphone Orchestra , conducted by Louis Silvers . Several vocal numbers sung by Jolson were interpolated into the picture . The background score , composed by Silvers , consists of original themes ...
Side 25
... background score would distract the audience from hearing the dialogue , which in the case of such early talkies as Disraeli ( 1929 ) , was virtually nonstop . The overabundance of dialogue was enhanced by the fact that many early ...
... background score would distract the audience from hearing the dialogue , which in the case of such early talkies as Disraeli ( 1929 ) , was virtually nonstop . The overabundance of dialogue was enhanced by the fact that many early ...
Side 29
... background , however , he was considered the logical choice to compose the music for Universal's film version of Tolstoy's Resurrection . Although this score , which is infused with the sounds of Russian folk songs , is considered a ...
... background , however , he was considered the logical choice to compose the music for Universal's film version of Tolstoy's Resurrection . Although this score , which is infused with the sounds of Russian folk songs , is considered a ...
Innhold
1 | |
5 | |
23 | |
59 | |
195059 The Decline of the Studio System | 113 |
196069 The Changing of the Guard | 173 |
197079 The Revival of the Symphonic Film Score | 223 |
198089 The Influence of Synthesized Sound | 277 |
199099 Into the 1990S | 335 |
Bibliography | 379 |
Filmography | 387 |
General Index | 403 |
Index of Titles | 405 |
Index of Names | 419 |
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The Invisible Art of Film Music: A Comprehensive History Laurence E. MacDonald Begrenset visning - 1998 |
The Invisible Art of Film Music: A Comprehensive History Laurence E. MacDonald Begrenset visning - 2013 |
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accompanied album Alfred Newman American arrangements background score Barry became began Bernard Herrmann box-office Broadway career CD*x VHS LD chords Copland created David decade Dimitri Tiomkin director dramatic Elmer Bernstein film composers film music film scores film version film-music film's filmmakers Franz Waxman George Hans Zimmer heard Henry Mancini Hollywood HORT CUTS Ibid instruments Jarre jazz Jerry Goldsmith John Williams Korngold later Liner notes love theme LP*/CDx VHS lyrical main theme main-title theme Mancini Maurice Jarre Max Steiner melodic idea melody memorable Michael Miklos Rozsa minor-key Morricone motif motion picture movie musical films musicians novel opening credits orchestral original score Oscar nomination Oscar-winning piano piece played popular produced recording released rhythmic Richard role romantic scene screen solo song sound soundtrack Star story strings studio style symphonic theaters theremin tones tune violin waltz Warner Bros Waxman Williams's woodwinds York young