The Invisible Art of Film Music: A Comprehensive HistoryScarecrow Press, 1. jan. 1998 - 431 sider A comprehensive introduction to film music for the general student, the film historian, and the aspiring cinematographer. It is a historically structured account of the evolution of music in films. The book is arranged as a chronological survey and includes biographical sketches on many important film composers in addition to the development of the films themselves. |
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Side 25
... closing credits . Apparently , filmmakers were concerned that a background score would distract the audience from hearing the dialogue , which in the case of such early talkies as Disraeli ( 1929 ) , was virtually nonstop . The ...
... closing credits . Apparently , filmmakers were concerned that a background score would distract the audience from hearing the dialogue , which in the case of such early talkies as Disraeli ( 1929 ) , was virtually nonstop . The ...
Side 30
... closing credits , opportunities for film composers were extremely limited . One man's gamble would soon bring about drastic changes in film scoring and open up a world full of musical possibilities . AX STEINER : MUSIC FROM WALL TO WALL ...
... closing credits , opportunities for film composers were extremely limited . One man's gamble would soon bring about drastic changes in film scoring and open up a world full of musical possibilities . AX STEINER : MUSIC FROM WALL TO WALL ...
Side 49
... closing scene . Julie , who has matured in the course of the film , helps to transport Pres , who is seriously ill with yellow fever , out of a quarantined New Orleans . The music , in a much slower tempo than before , builds to a ...
... closing scene . Julie , who has matured in the course of the film , helps to transport Pres , who is seriously ill with yellow fever , out of a quarantined New Orleans . The music , in a much slower tempo than before , builds to a ...
Side 56
... closing of the decade witnessed large - scale epics that were increasingly filmed on outdoor locations . Likewise , during the 1930s , film scores evolved from sparsely written accompaniments , which were confined to the opening and closing ...
... closing of the decade witnessed large - scale epics that were increasingly filmed on outdoor locations . Likewise , during the 1930s , film scores evolved from sparsely written accompaniments , which were confined to the opening and closing ...
Side 65
... closing scene , in which Manderley , the lavish estate of Max de Winter ( Laurence Olivier ) and his young second wife ( Joan Fontaine ) , is destroyed in a huge blaze , Waxman ingeniously contributed an ascending series of ominous ...
... closing scene , in which Manderley , the lavish estate of Max de Winter ( Laurence Olivier ) and his young second wife ( Joan Fontaine ) , is destroyed in a huge blaze , Waxman ingeniously contributed an ascending series of ominous ...
Innhold
1 | |
5 | |
23 | |
59 | |
195059 The Decline of the Studio System | 113 |
196069 The Changing of the Guard | 173 |
197079 The Revival of the Symphonic Film Score | 223 |
198089 The Influence of Synthesized Sound | 277 |
199099 Into the 1990S | 335 |
Bibliography | 379 |
Filmography | 387 |
General Index | 403 |
Index of Titles | 405 |
Index of Names | 419 |
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The Invisible Art of Film Music: A Comprehensive History Laurence E. MacDonald Begrenset visning - 1998 |
The Invisible Art of Film Music: A Comprehensive History Laurence E. MacDonald Begrenset visning - 2013 |
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accompanied album Alfred Newman American arrangements background score Barry became began Bernard Herrmann box-office Broadway career CD*x VHS LD chords Copland created David decade Dimitri Tiomkin director dramatic Elmer Bernstein film composers film music film scores film version film-music film's filmmakers Franz Waxman George Hans Zimmer heard Henry Mancini Hollywood HORT CUTS Ibid instruments Jarre jazz Jerry Goldsmith John Williams Korngold later Liner notes love theme LP*/CDx VHS lyrical main theme main-title theme Mancini Maurice Jarre Max Steiner melodic idea melody memorable Michael Miklos Rozsa minor-key Morricone motif motion picture movie musical films musicians novel opening credits orchestral original score Oscar nomination Oscar-winning piano piece played popular produced recording released rhythmic Richard role romantic scene screen solo song sound soundtrack Star story strings studio style symphonic theaters theremin tones tune violin waltz Warner Bros Waxman Williams's woodwinds York young