The Invisible Art of Film Music: A Comprehensive HistoryScarecrow Press, 1. jan. 1998 - 431 sider A comprehensive introduction to film music for the general student, the film historian, and the aspiring cinematographer. It is a historically structured account of the evolution of music in films. The book is arranged as a chronological survey and includes biographical sketches on many important film composers in addition to the development of the films themselves. |
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Side 10
... motif that segues into a grandiose rendition of “ The Star Spangled Banner , " with a bit of " The Girl I Left behind Me " thrown in . Cue 26 , an original theme in g time , has a marchlike flavor and is heard intermittently throughout ...
... motif that segues into a grandiose rendition of “ The Star Spangled Banner , " with a bit of " The Girl I Left behind Me " thrown in . Cue 26 , an original theme in g time , has a marchlike flavor and is heard intermittently throughout ...
Side 35
... motif or theme . Steiner's personal affection for Richard Wagner's music may have contributed to this thematic approach in his film scores . In any case , with The Informer Steiner established techniques that would be in use throughout ...
... motif or theme . Steiner's personal affection for Richard Wagner's music may have contributed to this thematic approach in his film scores . In any case , with The Informer Steiner established techniques that would be in use throughout ...
Side 38
... motif . In the climactic " Creation " sequence , both of these principal motifs are heard , along with an ongoing kettledrum tone that produces an eerie heartbeat effect . Waxman's imaginative score still enhances the impact that The ...
... motif . In the climactic " Creation " sequence , both of these principal motifs are heard , along with an ongoing kettledrum tone that produces an eerie heartbeat effect . Waxman's imaginative score still enhances the impact that The ...
Side 69
... In my mind it was a sort of variant on the ancient hymn “ Dies Irae , " and seems to suggest to me what the subject of Kane was , which is " All is vanity . " 17 Herrmann went on to describe the score's other primary motif 1941 69.
... In my mind it was a sort of variant on the ancient hymn “ Dies Irae , " and seems to suggest to me what the subject of Kane was , which is " All is vanity . " 17 Herrmann went on to describe the score's other primary motif 1941 69.
Side 70
... motif , which is first presented as a four - note theme on the vibraphone as Charlie plays in the snow with his sled . “ Musically , the prelude tells you what the whole film is about . . . . This second theme tells everybody what ...
... motif , which is first presented as a four - note theme on the vibraphone as Charlie plays in the snow with his sled . “ Musically , the prelude tells you what the whole film is about . . . . This second theme tells everybody what ...
Innhold
1 | |
5 | |
23 | |
59 | |
195059 The Decline of the Studio System | 113 |
196069 The Changing of the Guard | 173 |
197079 The Revival of the Symphonic Film Score | 223 |
198089 The Influence of Synthesized Sound | 277 |
199099 Into the 1990S | 335 |
Bibliography | 379 |
Filmography | 387 |
General Index | 403 |
Index of Titles | 405 |
Index of Names | 419 |
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The Invisible Art of Film Music: A Comprehensive History Laurence E. MacDonald Begrenset visning - 1998 |
The Invisible Art of Film Music: A Comprehensive History Laurence E. MacDonald Begrenset visning - 2013 |
Vanlige uttrykk og setninger
accompanied album Alfred Newman American arrangements background score Barry became began Bernard Herrmann box-office Broadway career CD*x VHS LD chords Copland created David decade Dimitri Tiomkin director dramatic Elmer Bernstein film composers film music film scores film version film-music film's filmmakers Franz Waxman George Hans Zimmer heard Henry Mancini Hollywood HORT CUTS Ibid instruments Jarre jazz Jerry Goldsmith John Williams Korngold later Liner notes love theme LP*/CDx VHS lyrical main theme main-title theme Mancini Maurice Jarre Max Steiner melodic idea melody memorable Michael Miklos Rozsa minor-key Morricone motif motion picture movie musical films musicians novel opening credits orchestral original score Oscar nomination Oscar-winning piano piece played popular produced recording released rhythmic Richard role romantic scene screen solo song sound soundtrack Star story strings studio style symphonic theaters theremin tones tune violin waltz Warner Bros Waxman Williams's woodwinds York young