The Invisible Art of Film Music: A Comprehensive HistoryScarecrow Press, 1. jan. 1998 - 431 sider A comprehensive introduction to film music for the general student, the film historian, and the aspiring cinematographer. It is a historically structured account of the evolution of music in films. The book is arranged as a chronological survey and includes biographical sketches on many important film composers in addition to the development of the films themselves. |
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Side 25
... beginning of the 1930s , the early talkies became more silent than the silent movies themselves . Without the benefit of ... opening and closing credits . Apparently , filmmakers were concerned that a background score would distract the ...
... beginning of the 1930s , the early talkies became more silent than the silent movies themselves . Without the benefit of ... opening and closing credits . Apparently , filmmakers were concerned that a background score would distract the ...
Side 30
... opening and closing credits , opportunities for film composers were extremely limited . One man's gamble would soon bring about drastic changes in film scoring and open up a world full of musical possibilities . AX STEINER : MUSIC FROM ...
... opening and closing credits , opportunities for film composers were extremely limited . One man's gamble would soon bring about drastic changes in film scoring and open up a world full of musical possibilities . AX STEINER : MUSIC FROM ...
Side 37
... opening credits.31 This last stipulation is quite remarkable in that in the early 1930s , composers often received no credit whatsoever ; when they did get credit , their names were crowded in with those of such other technicians as ...
... opening credits.31 This last stipulation is quite remarkable in that in the early 1930s , composers often received no credit whatsoever ; when they did get credit , their names were crowded in with those of such other technicians as ...
Side 42
... opening credits to augment the strings in the exotic Shangri - La theme , one of Tiomkin's most inspired melodies . In stark contrast to this lyrical beginning is the film's opening sequence , which vividly depicts a riot at the Baskul ...
... opening credits to augment the strings in the exotic Shangri - La theme , one of Tiomkin's most inspired melodies . In stark contrast to this lyrical beginning is the film's opening sequence , which vividly depicts a riot at the Baskul ...
Side 43
... sequence voices and bells are raised in a chant based on the Chinese pentatonic , or five - note scale . which , like the ... opening - credit music . In one scene the score features a rapid - paced scherzo as the two go riding together ...
... sequence voices and bells are raised in a chant based on the Chinese pentatonic , or five - note scale . which , like the ... opening - credit music . In one scene the score features a rapid - paced scherzo as the two go riding together ...
Innhold
1 | |
5 | |
23 | |
59 | |
195059 The Decline of the Studio System | 113 |
196069 The Changing of the Guard | 173 |
197079 The Revival of the Symphonic Film Score | 223 |
198089 The Influence of Synthesized Sound | 277 |
199099 Into the 1990S | 335 |
Bibliography | 379 |
Filmography | 387 |
General Index | 403 |
Index of Titles | 405 |
Index of Names | 419 |
Andre utgaver - Vis alle
The Invisible Art of Film Music: A Comprehensive History Laurence E. MacDonald Begrenset visning - 1998 |
The Invisible Art of Film Music: A Comprehensive History Laurence E. MacDonald Begrenset visning - 2013 |
Vanlige uttrykk og setninger
accompanied album Alfred Newman American arrangements background score Barry became began Bernard Herrmann box-office Broadway career CD*x VHS LD chords Copland created David decade Dimitri Tiomkin director dramatic Elmer Bernstein film composers film music film scores film version film-music film's filmmakers Franz Waxman George Hans Zimmer heard Henry Mancini Hollywood HORT CUTS Ibid instruments Jarre jazz Jerry Goldsmith John Williams Korngold later Liner notes love theme LP*/CDx VHS lyrical main theme main-title theme Mancini Maurice Jarre Max Steiner melodic idea melody memorable Michael Miklos Rozsa minor-key Morricone motif motion picture movie musical films musicians novel opening credits orchestral original score Oscar nomination Oscar-winning piano piece played popular produced recording released rhythmic Richard role romantic scene screen solo song sound soundtrack Star story strings studio style symphonic theaters theremin tones tune violin waltz Warner Bros Waxman Williams's woodwinds York young