An Abridgment of Lectures on RhetorickHill and Moore, 1822 - 304 sider |
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Side vi
... Virgil , Lucan's Pharsalia , Tasso's Jerusalem , The Lusiad of Camoens , The Telemachus of Fenelon , The Henriade of Voltaire , Milton's Paradise Lost , Dramatic Poetry . Tragedy , Greek Tragedy , French Tragedy , English Tragedy ...
... Virgil , Lucan's Pharsalia , Tasso's Jerusalem , The Lusiad of Camoens , The Telemachus of Fenelon , The Henriade of Voltaire , Milton's Paradise Lost , Dramatic Poetry . Tragedy , Greek Tragedy , French Tragedy , English Tragedy ...
Side 10
... Virgil , a great part of our pleasure arises from the proper conduct of the plan or story ; from all the parts being joined to- gether with probability and due connexion ; from the adoption of the characters from nature , the corres ...
... Virgil , a great part of our pleasure arises from the proper conduct of the plan or story ; from all the parts being joined to- gether with probability and due connexion ; from the adoption of the characters from nature , the corres ...
Side 12
... Virgil . Hence the authority which such works have obtained , as standards of poetical composition ; since by them we are enabled to collect what the sense of mankind is with respect to those beauties which give them the highest ...
... Virgil . Hence the authority which such works have obtained , as standards of poetical composition ; since by them we are enabled to collect what the sense of mankind is with respect to those beauties which give them the highest ...
Side 31
... Virgil , also , though very capable of rising occasionally into the Sublime , yet generally is distin- guished by the character of Beauty and Grace , rather than of Sublimity . Among orators , Cicero has more of the Beautiful than ...
... Virgil , also , though very capable of rising occasionally into the Sublime , yet generally is distin- guished by the character of Beauty and Grace , rather than of Sublimity . Among orators , Cicero has more of the Beautiful than ...
Side 33
... Virgil's descrip- tion of a tempest in the first Æneid an imitation of a storm ? If we heard of the imitation of a battle we might naturally think of some mock fight , or represen- tation of a battle on the stage ; but should never im ...
... Virgil's descrip- tion of a tempest in the first Æneid an imitation of a storm ? If we heard of the imitation of a battle we might naturally think of some mock fight , or represen- tation of a battle on the stage ; but should never im ...
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Vanlige uttrykk og setninger
action admit Æneid ancient appear arguments attention beauty blank verse characters Cicero circumstances comedy composition concise critics degree Demosthenes dignity discourse distinction distinguished effect elegant eloquence emotion employed English epic poem epic poetry excel excite exhibit expression figure founded frequently genius give grace grandeur Greek guage hearers Hence Henriade Homer ideas Iliad imagination imitation instance ject kind language Livy Lusiad lyric poetry manner ment merit metaphor mind mode modern moral motion narration nature never objects observed orator ornament painting Paradise Lost passion pastoral pastoral poetry pathetic pause peculiar perspicuity Pharsalia philosophical pleasing pleasure poet poetical principal proper propriety public speaking render requisite resemblance Roman rule scene sense sentence sentiments simplicity sion sound speaker species speech spirit strength strong style sublime syllable Tacitus Taste theatre of France thing thought tion tragedy tropes unity variety verbs verse Virgil words writing
Populære avsnitt
Side 180 - And the parched ground shall become a pool, and the thirsty land springs of water : in the habitation of dragons where each lay, shall be grass with reeds and rushes.
Side 21 - That saith of Cyrus, He is my shepherd, And shall perform all my pleasure ; Even saying to Jerusalem, Thou shalt be built ; And to the temple, Thy foundation shall be laid.
Side 68 - I shall detain you now no longer in the demonstration of what we should not do, but straight conduct you to a hill-side, where I will point you out the right path of a virtuous and noble education ; laborious indeed at the first ascent, but else so smooth, so green, so full of goodly prospect, and melodious sounds on every side, that the harp of Orpheus was not more charming-.
Side 107 - He can converse with a picture, and find an agreeable companion in a statue. He meets with a secret refreshment in a description, and often feels a greater satisfaction in the prospect of fields and meadows than another does in the possession. It gives him, indeed, a kind of property in every thing he sees, and makes the most rude uncultivated parts of nature administer to his pleasures: so that he looks upon the world, as it were, in another light, and discovers in it a multitude of charms that...
Side 66 - Homer was the greater genius; Virgil, the better artist; in the one, we most admire the man; in. the other, the work. Homer hurries us with a commanding impetuosity; Virgil leads us with an attractive majesty. Homer scatters with a generous profusion; Virgil bestows with a careful magnificence. Homer, like the Nile, pours out his riches with a sudden overflow; Virgil, like a river in its banks, with a constant stream.
Side 21 - He made darkness his secret place; His pavilion round about him were dark waters and thick clouds of the skies.
Side 69 - OUR sight is the most perfect and most delightful of all our senses. It fills the mind with the largest variety of ideas, converses with its objects at the greatest distance, and continues the longest in action without being tired or satiated with its proper enjoyments.
Side 19 - Wheeling unshaken through the void immense ; And speak, O man ! does this capacious scene With half that kindling majesty dilate Thy strong conception, as when Brutus rose Refulgent from the stroke of Caesar's fate, Amid the crowd of patriots ; and his arm Aloft extending, like eternal Jove When guilt brings down the thunder, call'd aloud On Tully's name, and shook his crimson steel, And bade the father of his country hail ? For lo ! the tyrant prostrate on the dust, And Rome again is free...
Side 23 - He spoke, and awful bends his sable brows, Shakes his ambrosial curls, and gives the nod, The stamp of fate, and sanction of the god : High Heaven with trembling the dread signal took, And all Olympus to the centre shook.
Side 109 - Entertain hopes, mirth rather than joy, variety of delights, rather than surfeit of them ; wonder and admiration, and therefore novelties ; studies that fill the mind with splendid and illustrious objects, as histories, fables, and contemplations of nature.