The Complete Works of Sir Joshua Reynolds, First President of the Royal Academy: With an Original Memoir, and Anecdotes of the Author : in Three Volumes, Volum 2T. M'Lean, 1824 |
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Side 6
... seen , at a great , though not hopeless , distance , and which we must always follow , because we never can attain ; but the pursuit rewards itself ; one truth teaches ano- ther , and our store is always increasing , though nature can ...
... seen , at a great , though not hopeless , distance , and which we must always follow , because we never can attain ; but the pursuit rewards itself ; one truth teaches ano- ther , and our store is always increasing , though nature can ...
Side 24
... seen clearly , and without any ambiguity , at the first glance of the eye . This the painter can easily do by colour , by losing parts in the ground , or keeping them so obscure as to prevent them from interfering with the more ...
... seen clearly , and without any ambiguity , at the first glance of the eye . This the painter can easily do by colour , by losing parts in the ground , or keeping them so obscure as to prevent them from interfering with the more ...
Side 28
... seen from their angle , with a view to make them appear to recede from the eye in perspective . This , though it may show indeed their eager desire to encounter difficulties , shows at the same time how inadequate their materials are ...
... seen from their angle , with a view to make them appear to recede from the eye in perspective . This , though it may show indeed their eager desire to encounter difficulties , shows at the same time how inadequate their materials are ...
Side 29
... seen an equestrian statue in a modern dress , which may be sufficient to deter future artists from any such attempt : even sup- posing no other objection , the familiarity of the modern dress by no means agrees with the dignity and ...
... seen an equestrian statue in a modern dress , which may be sufficient to deter future artists from any such attempt : even sup- posing no other objection , the familiarity of the modern dress by no means agrees with the dignity and ...
Side 68
... Saint Paul . The most material alteration that is made in those two figures of St. Paul , is the addition of the left hands , which are not seen in the original . It is a rule that Raffaelle observed 68 . THE TWELFTH DISCOURSE .
... Saint Paul . The most material alteration that is made in those two figures of St. Paul , is the addition of the left hands , which are not seen in the original . It is a rule that Raffaelle observed 68 . THE TWELFTH DISCOURSE .
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The Complete Works of Sir Joshua Reynolds: First President of the ..., Volum 3 Sir Joshua Reynolds Ingen forhåndsvisning tilgjengelig - 2019 |
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Academy acquired admirable advantage altar Andrea Sacchi angels animated Annibale Caracci Antwerp appears artist attention attitude beauty Bolswert Carlo Maratti certainly character Christ church Claude Lorraine colouring composition considered Corregio countenance criticism dead defect dignity DISCOURSE disposition Domenichino Domenico Feti drapery drawing drawn dress effect engraved equally excellence expression figure finished Gainsborough gallery genius give grace grandeur habit hand head idea imagination imitation invention Jan Steen Jordaens kind labour landscape Last Judgment light and shadow likewise look Luca Giordano Magdalen Masaccio mass of light master means merit Michael Angelo mind nature ness never object observed painted painter Paolo Veronese perfect perhaps picture Pieta poetry portrait possessed principles produced racter Raffaelle reason RECOLLETS Rembrandt represented Rubens saint sculpture seen spectator style supposed taste thing tion Titian truth ture Vanderwerf Vandyck Virgin whole woman