Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic TragedySono Nis Press, 1981 - 181 sider |
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Side 82
... accept : " aye , you shall see her , / And wonder at her , friends , she is so fair- / She is the world's chief Jewel " ( V. 5. 71-74 ) . Even after he had discovered the truth beneath the disguise , Ludolph still recalls the illusion ...
... accept : " aye , you shall see her , / And wonder at her , friends , she is so fair- / She is the world's chief Jewel " ( V. 5. 71-74 ) . Even after he had discovered the truth beneath the disguise , Ludolph still recalls the illusion ...
Side 124
... accept her superiority as justified contempt for her inhuman inquisitors , it is difficult to justify her attitude to her own hireling Marzio . Yet the paradox can be understood if we come to grips with the peculiar logic behind her ...
... accept her superiority as justified contempt for her inhuman inquisitors , it is difficult to justify her attitude to her own hireling Marzio . Yet the paradox can be understood if we come to grips with the peculiar logic behind her ...
Side 125
... accept the justice of her argument with Marzio , we must accept the " higher truth " of the allegorical framework , according to which she is the personification of Innocence . By denying her purity , Marzio would be guilty of allowing ...
... accept the justice of her argument with Marzio , we must accept the " higher truth " of the allegorical framework , according to which she is the personification of Innocence . By denying her purity , Marzio would be guilty of allowing ...
Innhold
II | 12 |
IV | 72 |
Images of Nature and the Cosmic Structure | 106 |
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Vanlige uttrykk og setninger
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime critics darkness death demonic denies describes desire despair dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Oxford Paradise perfection play poet poet's Press question realm recognize relationship Remorse responsible reversal revolutionary role Romantic Romanticism Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tragedy tragic truth turns tyrannical ultimately union Univ universe villain vision wants wedding Wordsworth's York
Referanser til denne boken
A Materialist Critique of English Romantic Drama Daniel P. Watkins Ingen forhåndsvisning tilgjengelig - 1993 |