Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic TragedySono Nis Press, 1981 - 181 sider |
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Side 77
... beauty , his own enchantment . The demonic connotations of her corruption follow essentially from Ludolph's exaggerated claims on her purity and goodness ; it is because he expected her to be a goddess , that the recognition of her ...
... beauty , his own enchantment . The demonic connotations of her corruption follow essentially from Ludolph's exaggerated claims on her purity and goodness ; it is because he expected her to be a goddess , that the recognition of her ...
Side 80
... beauty , the presence of the " Love Divine " in Nature . When in love with Auranthe , Ludolph sees their union as a ... beauty been the beauty of innocence , through their wedding they would have entered the realm of the immortals ...
... beauty , the presence of the " Love Divine " in Nature . When in love with Auranthe , Ludolph sees their union as a ... beauty been the beauty of innocence , through their wedding they would have entered the realm of the immortals ...
Side 82
... beauty , Auranthe is a fallen mortal , and so , discovery of her fallen state spells death to Ludolph's " soaring " flight to immortality . Her beauty is revealed as mere mask over the skeleton of death : " Her lips - I swear no human ...
... beauty , Auranthe is a fallen mortal , and so , discovery of her fallen state spells death to Ludolph's " soaring " flight to immortality . Her beauty is revealed as mere mask over the skeleton of death : " Her lips - I swear no human ...
Innhold
II | 12 |
IV | 72 |
Images of Nature and the Cosmic Structure | 106 |
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Vanlige uttrykk og setninger
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime critics darkness death demonic denies describes desire despair dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Oxford Paradise perfection play poet poet's Press question realm recognize relationship Remorse responsible reversal revolutionary role Romantic Romanticism Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tragedy tragic truth turns tyrannical ultimately union Univ universe villain vision wants wedding Wordsworth's York
Referanser til denne boken
A Materialist Critique of English Romantic Drama Daniel P. Watkins Ingen forhåndsvisning tilgjengelig - 1993 |