Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic TragedySono Nis Press, 1981 - 181 sider |
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Side 25
... become vulnerable to Oswald's manipulation , and Mar- maduke becomes susceptible to deception . Indeed , Herbert has a strong premonition about the wrongness of their parting : “ And are you going then ? Come , come , Idonea , We must ...
... become vulnerable to Oswald's manipulation , and Mar- maduke becomes susceptible to deception . Indeed , Herbert has a strong premonition about the wrongness of their parting : “ And are you going then ? Come , come , Idonea , We must ...
Side 50
... becomes the Second Adam , a romantic definition of the Messiah . To become this seems to be within the capacity of Everyman who reaches a sense of oneness with the whole , a sense of " sacred sympathy " between Man and Nature : When he ...
... becomes the Second Adam , a romantic definition of the Messiah . To become this seems to be within the capacity of Everyman who reaches a sense of oneness with the whole , a sense of " sacred sympathy " between Man and Nature : When he ...
Side 77
... becomes for Ludolph the symbol of demonic deception ; yet she remains a demonic creature only in Ludolph's eyes . To the other characters , indeed , to the reader , Auranthe appears to be an ordinary young woman trying , at least in the ...
... becomes for Ludolph the symbol of demonic deception ; yet she remains a demonic creature only in Ludolph's eyes . To the other characters , indeed , to the reader , Auranthe appears to be an ordinary young woman trying , at least in the ...
Innhold
II | 12 |
IV | 72 |
Images of Nature and the Cosmic Structure | 106 |
Opphavsrett | |
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Vanlige uttrykk og setninger
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime critics darkness death demonic denies describes desire despair dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Oxford Paradise perfection play poet poet's Press question realm recognize relationship Remorse responsible reversal revolutionary role Romantic Romanticism Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tragedy tragic truth turns tyrannical ultimately union Univ universe villain vision wants wedding Wordsworth's York
Referanser til denne boken
A Materialist Critique of English Romantic Drama Daniel P. Watkins Ingen forhåndsvisning tilgjengelig - 1993 |