Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic TragedySono Nis Press, 1981 - 181 sider |
Inni boken
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Side 20
... blind man communicates with the " sun , ” the " woods resound [ ing ] with music , " and with the whole " pleasant face of Nature " ( B. I. 146-147 ) . She recognizes this " pleasant face " because of her own purity which makes her open ...
... blind man communicates with the " sun , ” the " woods resound [ ing ] with music , " and with the whole " pleasant face of Nature " ( B. I. 146-147 ) . She recognizes this " pleasant face " because of her own purity which makes her open ...
Side 38
... blind as the grave , " the beggarwoman is afraid of being " struck blind , " the band complains of having acted " blind as moles , ” Marmaduke of having been de- ceived and " blinded , " and Oswald is described 38.
... blind as the grave , " the beggarwoman is afraid of being " struck blind , " the band complains of having acted " blind as moles , ” Marmaduke of having been de- ceived and " blinded , " and Oswald is described 38.
Side 57
... blind- ness to joy and coldness to love . This is a constitutional incomplete- ness which results not only in an absence of light and harmony , but also in a lack of dramatic intensity . Like Wordsworth's Oswald and Byron's Manfred ...
... blind- ness to joy and coldness to love . This is a constitutional incomplete- ness which results not only in an absence of light and harmony , but also in a lack of dramatic intensity . Like Wordsworth's Oswald and Byron's Manfred ...
Innhold
II | 12 |
IV | 72 |
Images of Nature and the Cosmic Structure | 106 |
Opphavsrett | |
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Vanlige uttrykk og setninger
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime critics darkness death demonic denies describes desire despair dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Oxford Paradise perfection play poet poet's Press question realm recognize relationship Remorse responsible reversal revolutionary role Romantic Romanticism Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tragedy tragic truth turns tyrannical ultimately union Univ universe villain vision wants wedding Wordsworth's York
Referanser til denne boken
A Materialist Critique of English Romantic Drama Daniel P. Watkins Ingen forhåndsvisning tilgjengelig - 1993 |