Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic TragedySono Nis Press, 1981 - 181 sider |
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Side 25
... forces . As soon as they separate from each other they become vulnerable to Oswald's manipulation , and Mar- maduke becomes susceptible to deception . Indeed , Herbert has a strong premonition about the wrongness of their parting ...
... forces . As soon as they separate from each other they become vulnerable to Oswald's manipulation , and Mar- maduke becomes susceptible to deception . Indeed , Herbert has a strong premonition about the wrongness of their parting ...
Side 101
... forces . Since he challenges these forces at successively higher and higher level in each scene , it seems as if he wanted to provoke the highest authority of the Maker or the Father to come forth and manifest himself . There is ...
... forces . Since he challenges these forces at successively higher and higher level in each scene , it seems as if he wanted to provoke the highest authority of the Maker or the Father to come forth and manifest himself . There is ...
Side 107
... forces of the mountain cataract . The vision reveals the poet in awe of Nature's energy and the infinite magnitude of its forces . Unlike Coleridge and Keats whose images associate the Infinite with infinite delight , Manfred ...
... forces of the mountain cataract . The vision reveals the poet in awe of Nature's energy and the infinite magnitude of its forces . Unlike Coleridge and Keats whose images associate the Infinite with infinite delight , Manfred ...
Innhold
II | 12 |
IV | 72 |
Images of Nature and the Cosmic Structure | 106 |
Opphavsrett | |
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Vanlige uttrykk og setninger
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime critics darkness death demonic denies describes desire despair dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Oxford Paradise perfection play poet poet's Press question realm recognize relationship Remorse responsible reversal revolutionary role Romantic Romanticism Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tragedy tragic truth turns tyrannical ultimately union Univ universe villain vision wants wedding Wordsworth's York
Referanser til denne boken
A Materialist Critique of English Romantic Drama Daniel P. Watkins Ingen forhåndsvisning tilgjengelig - 1993 |