 | Sir Joshua Reynolds, Edmond Malone - 1801 - 452 sider
...speak of him in the language of our art. To speak then of Vanbrugh in the language of a Painter, he had originality of invention, he understood light...the back-ground ; by which the design and invention is set off to the greatest advantage. What the back-ground is in Painting, in Architecture is the real... | |
 | sir Joshua Reynolds - 1801 - 450 sider
...speak of him in the i language of our art. To speak then of Vanbrugh in the language of a Painter, he had originality of invention, he understood light...the back-ground ; by which the design and invention is set off to the greatest advantage. What the back-ground is in Painting, in Architecture is the real... | |
 | Alexander Chalmers - 1816 - 528 sider
...with absolute truth." — "To speak of Vanbrugh," adds sir Joshua, " in the language of a painter, he had originality of invention ; he understood light...principal object, he produced his second and third groupes or masses. He perfectly understood in his art, what is the most difficult in ours, the conduct... | |
 | Alexander Chalmers - 1816 - 520 sider
...with absolute truth." — " To speak of Vanbrugh," adds sir Joshua, " in the language of a painter, he had originality of invention ; he understood light...principal object, he produced his second and third groupes or masses. He perfectly understood in his art, what is the most difficult in ours, the conduct... | |
 | sir Joshua Reynolds - 1819 - 440 sider
...speak of him in the language of our art. To speak then of Vanbrugh in the language of a Painter, he had originality of invention, he understood light...the back-ground ; by which the design and invention is set off to the greatest advantage. What the back-ground is in Painting, in Architecture is the real... | |
 | Sir Joshua Reynolds - 1819 - 446 sider
...speak of him in the language of our art. To speak then of Vanbrugh in the language of a Painter, he had originality of invention, he understood light...the back-ground ; by which the design and invention is set off to the greatest advantage. What the back-ground is in Painting, in Architecture is the real... | |
 | Sir Joshua Reynolds - 1824 - 324 sider
...the language of our art. To speak then of Vanbrugh in the language of a painter, he had ori* ginality of invention, he understood light and shadow, and...great skill in composition. To support his principal objects, he produced his second and third groups or masses; he perfectly understood in his art what... | |
 | 1787 - 516 sider
...To fpeik of Vanburgh in the language of a painter, he had originality of invention ; he underftood light and Shadow, and had great Skill in composition. To Support his principal objeiV, he produced his Second and third groups or mafl'es. He perfectly understood in his art what... | |
 | Allan Cunningham - 1831 - 438 sider
...Vanbrugh, I speak of him merely on our art. To speak then of Vanbrugh in the language of a painter, he had originality of invention ; he understood light...principal object he produced his second and third groups of masses — he perfectly understood in his art what is most difficult in ours, the conduct of the... | |
 | Allan Cunningham - 1831 - 386 sider
...Vanbrugh, I speak of him merely on our art. To speak then of Vanbrugh in the language of a painter, he had originality of invention ; he understood light...in composition. To support his principal object he proEduced his second and third groups of masses — he perfectly understood in his art what is most... | |
| |
I mean to speak of him in the language of our art. To speak then of Vanbrugh in the language of a Painter, he had originality of invention, he understood light and shadow, and had great skill in composition. 
