The Invisible Art of Film Music: A Comprehensive HistoryScarecrow Press, 2. mai 2013 - 624 sider Beginning with the era of synchronized sound in the 1920s, music has been an integral part of motion pictures. Whether used to heighten the tension of a scene or evoke a subtle emotional response, scores have played a significant—if often unrealized—role in the viewer’s enjoyment. In The Invisible Art of Film Music, Laurence MacDonald provides a comprehensive introduction for the general student, film historian, and aspiring cinematographer. Arranged chronologically from the silent era to the present day, this volume provides insight into the evolution of music in cinema and analyzes the vital contributions of scores to hundreds of films. MacDonald reviews key developments in film music and discusses many of the most important and influential scores of the last nine decades, including those from Modern Times, Gone with the Wind, Citizen Kane, Laura, A Streetcar Named Desire, Ben-Hur, Lawrence of Arabia, The Godfather, Jaws, Ragtime, The Mission, Titanic, Gladiator, The Lord of the Rings, Brokeback Mountain, and Slumdog Millionaire. MacDonald also provides biographical sketches of such great composers as Max Steiner, Alfred Newman, Franz Waxman, Bernard Herrmann, Elmer Bernstein, Henry Mancini, Maurice Jarre, John Barry, John Williams, Jerry Goldsmith, Dave Grusin, Ennio Morricone, Randy Newman, Hans Zimmer, and Danny Elfman. Updated and expanded to include scores produced well into the twenty-first century, this new edition of The Invisible Art of Film Music will appeal not only to scholars of cinema and musicologists but also any fan of film scores. |
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Side iii
... piano by age eight. My mother's love for the classic MGM musicals was a big inspiration for me as I began playing her repertoire of songs on the piano. Her ability to hum Strauss waltz melodies just days before her death at age 100 ...
... piano by age eight. My mother's love for the classic MGM musicals was a big inspiration for me as I began playing her repertoire of songs on the piano. Her ability to hum Strauss waltz melodies just days before her death at age 100 ...
Side 25
... piano lessons, in 1904 Max enrolled aT The ConservaTory of Music and Performing ArTs in Vienna, where he sTudied piano, organ, violin, double bass, and TrumpeT. He also pursued courses in harmony, counTerpoinT, and composiTion, while ...
... piano lessons, in 1904 Max enrolled aT The ConservaTory of Music and Performing ArTs in Vienna, where he sTudied piano, organ, violin, double bass, and TrumpeT. He also pursued courses in harmony, counTerpoinT, and composiTion, while ...
Side 27
... piano led him To commuTe To New York CiTy To sTudy wiTh Sigismond STojowski and Alexander LamberT. He also sTudied composiTion as a youTh and by The age of Twelve was supporTing his family by playing The piano for vaudeville shows ...
... piano led him To commuTe To New York CiTy To sTudy wiTh Sigismond STojowski and Alexander LamberT. He also sTudied composiTion as a youTh and by The age of Twelve was supporTing his family by playing The piano for vaudeville shows ...
Side 28
... piano with Felix Blumenfeld. He also studied harmony and counterpoint with Alexander Glazunov, the conservatory's director. While still a student Tiomkin earned spending money by teaching piano lessons and playing the piano for silent ...
... piano with Felix Blumenfeld. He also studied harmony and counterpoint with Alexander Glazunov, the conservatory's director. While still a student Tiomkin earned spending money by teaching piano lessons and playing the piano for silent ...
Side 30
... piano, the daughter begins playing a piece her father had once started to compose but never finished. As he joins in, he suddenly figures out an ending. This short piano duet, only two minutes in length, provides the film's emotionally ...
... piano, the daughter begins playing a piece her father had once started to compose but never finished. As he joins in, he suddenly figures out an ending. This short piano duet, only two minutes in length, provides the film's emotionally ...
Innhold
20002009 | 429 |
INTO THE SECOND DECADE OF THE TWENTYFIRST CENTURY | 527 |
Bibliography | 535 |
General Index | 543 |
Title Index | 547 |
Name Index | 575 |
About the Author | 605 |
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The Invisible Art of Film Music: A Comprehensive History Laurence E. MacDonald Begrenset visning - 1998 |
The Invisible Art of Film Music: A Comprehensive History Laurence E. MacDonald Begrenset visning - 1998 |
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